| David C. Greetham - 1998 - عدد الصفحات: 636
...Representations of Print Culture in the Copyright Debate of i 837-i 842," Victorian Studies 23(i 994): (as it were) fuses each into each, by that synthetic...exclusively appropriated the name of imagination" (Btographia Literaria i4). The implications of this conceptual analysis of poetic imagination on textual... | |
| J. Douglas Kneale - 1999 - عدد الصفحات: 250
...intertextual thread running through this passage: Coleridge's previous sentence states that the poet "diffuses a tone, and spirit of unity, that blends,...exclusively appropriated the name of imagination" (Coleridge's emphasis). I am alerted by the figurai disclaimer of "(as it were)," which calls attention... | |
| Vennelaṇṭi Prakāśam - 1999 - عدد الصفحات: 186
...affected more than men by absent things as if they were present," has brought the "whole soul" of his into activity, "with the subordination of its faculties...other according to their relative worth and dignity." The result has been quite rewarding for the poet. These poems are an "overflow of powerful feelings"... | |
| Seamus Perry - 1999 - عدد الصفحات: 330
...'each Thing has a Life of it's [sic] own, & yet they are all one Life' [Lerters, II:866): the poet -diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each' (Biographia, II:16). It is only where the processes of the diffused imagination are 'rendered impossible'... | |
| Michael Werth Gelber - 2002 - عدد الصفحات: 358
...whole soul of man into activity... He diffuses a tone and spirit of unity... by that synthetic ... power, to which we have exclusively appropriated the name of imagination. This power ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness,... | |
| András Horn - 2000 - عدد الصفحات: 126
...gleichen geistigen Inhalt zu vermitteln und dadurch künstlerische Einheit zu stiften: „He [the poet] diffuses a tone and spirit of unity that blends and...exclusively appropriated the name of imagination. This power [...] reveals itself in the balance or reconciliation of opposite or discordant qualities; of sameness,... | |
| Martin J. Gannon - 2001 - عدد الصفحات: 276
...following excerpt from Coleridge. In his Bioffraphia Ltteraria he writes: The poet . . . brings the whole soul of man into activity, with the subordination...their relative worth and dignity. He diffuses a tone, a spirit of unity, that blends, and (as it were) ruses, each into each, by that synthetic and magical... | |
| Michael Eskin - 2000 - عدد الصفحات: 318
...and magical power, to which we have exclusively appropriated the name of imagination [,] brings the whole soul of man into activity, with the subordination of its faculties to each other [and] diffuses a spirit of unity' (ibid.), Mandel'shtam's synthetic poet has nothing 'magical' about... | |
| Frank Mehring - 2001 - عدد الصفحات: 194
...Coleridge in einer für Emerson entscheidenden Passage: The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...each into each, by that synthetic and magical power of which we have exclusively appropriated the name of imagination. This power [...] reveals istself... | |
| Alan Richardson - 2001 - عدد الصفحات: 270
...famously in his description of poetic creation. "The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...and spirit of unity, that blends, and (as it were) Juses, each into each, by that synthetic and magical power, to which we have exclusively appropriated... | |
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