...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite: a feeling, and a love, That had no need...remoter charm, By thought supplied, or any interest Unborrowed from the eye. (77-84) These lines are employed by Frankenstein to mark the difference, in...

...as the motives Wordsworth spoke of when describing a young man's love of freedom in 'Tintern Abbey': 'An appetite; a feeling and a love, / That had no need of a remoter charm'. This intuition, so close to the force of sensation, is an undercurrent of Hazlitt's argument which...

...passion; the tall rock, The mountain, and the deep and gloomy Their colors and their forms were then to me An appetite; a feeling and a love, That had no need of a remoter charm Unborrowecl trom the eye. I visited first the village of Grasmere in order to visit the house in which...

...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need...remoter charm, By thought supplied, or any interest Unborrowed from the eye. (Wordsworth 1798, 76-84) In "Tintern Abbey," Wordsworth provides a particularly...

...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye. — That time is past, And all its aching joys are now no...

...mountain, and the deep andgloomy wood, Their colours and theirforms, were then to me An appetite; afeeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowedfrom the eye."' Sans autre visée que d'immédiats plaisirs, cet amour fasciné...