...(11.77-81) - Wordsworth looks back to a period when landscape had been experienced in and for itself: a feeling and a love That had no need of a remoter charm By thought supplied ... (ibid, 813) In each case it is clear that he values unthinking joy above any gains that might be...

...tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite, a feeling, and a love, That had no need of a remoter charm. Few modelers are— or try to be— poets, but many modelers approach their activity with scarcely...

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...years previously, he had no theoretical perspective on the environment; he approached it simply with "an appetite; a feeling and a love,/ That had no need of a remoter charm,/ By thought supplied, nor any interest/ Unborrowed from the eye" (ll. 80-83). After leaving the country to live '"mid the...

...it contrasts two attitudes to nature. On his earlier visit the appearances of nature were then to me An appetite: a feeling and a love, That had no need of a remoter charm, By thought supplied. This has been replaced with a more mature response in which he has learned To look on nature, not as...

...tall rock. The mountain, and the deep and gloomy wood. Their colours and their forms, were then to me An appetite; a feeling and a love. That had no need of a remoter charm. By thought supplied, nor any interest Unborrowed from thc_eve. --That time is past, And all its aching joys are now no more....

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...dream, and imagination. Through it Wordsworth passes beyond the mechanistic and empiricist psychology of "An appetite: a feeling and a love, / That had no need of ... any interest, / Unborrowed from the eye," toward the revived humanism of the active mind. In the...