 Shakespeare that he assumes as an unquestionable principle a position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its...  The Discourses of Sir Joshua Reynolds - الصفحة 233بواسطة Sir Joshua Reynolds - 1824 - عدد الصفحات: 279عرض كامل - لمحة عن هذا الكتاب
 | 1765 - عدد الصفحات: 600
...understanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality j that any dramatic fable in its materiality was ever credible, or, for a jingle moment, was ever credited. ' The objection arifi.ng.from the impoffibility of pafllng the firff... | |
 | William Shakespeare - 1788 - عدد الصفحات: 346
...position, which, while his breath is forming it into .M prds, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable, in its materiality, was ever credible, or, fora single moment, was ever credited.... | |
 | Vicesimus Knox - 1790 - عدد الصفحات: 1058
...into words, his undcrftanding pronounces to be falfe. It is falfe, tnat any reprefentation is miftaken for reality ; that any dramatic fable, in its materiality, was ever credible, or, for a ungle moment, was ever credited. The objection arifing from the impoffibility of paffing the firft... | |
 | 1793 - عدد الصفحات: 620
...words, his underftanding pronounces to be be fatfe. It is falfe, that any reprefentation is miltaken for reality ; that any dramatic fable in its materiality was ever credible, or for a fingle moment was ever credited. The objection arifing from the ïmpoifibility of paffing the firft... | |
 | 1802 - عدد الصفحات: 630
...words, bis underllanding pronounces to be falfe. It is l'allé, that any reprefen tation is millaken for reality; that any dramatic fable in its materiality was ever credible, or for a lîngle moment was ever credited. The objection arifing from the impoííibility ot" palling the ririt... | |
 | William Shakespeare - 1803 - عدد الصفحات: 494
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1804 - عدد الصفحات: 256
...into words, his understanding pronounces to be false. It is faUe, that any representation is taken for reality ; that any dramatic fable, in its materiality, was ever credible, pr for a single moment was ever credited. " It will be asked how the drama moves, if it is not credited... | |
 | William Shakespeare - 1806 - عدد الصفحات: 394
...position, which, while his breath is forming it .into words, his understanding pronounces io be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality •was ever credible, or, for a single moment, was ever •credited.... | |
 | Samuel Johnson - 1806 - عدد الصفحات: 376
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Samuel Johnson - 1809 - عدد الصفحات: 488
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Home,... | |
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