...and obvious prejudices.* What we see upon a stage is body nnd bodily action ; what we are con. scious of in reading is almost exclusively the mind, and its movements : and this 1 think may sufficiently account for the very different soil of delight with which the same play so...

...— to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading...almost exclusively the mind, and its movements; and (his I think may sufficiently account for the very different sort of delight with which the same play...

...prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading ia almost exclusively the mind, and its movements ; and...the same play so often affects us in the reading and in the seeing. It requires little reflection to perceive, that if those characters in Shakspeare which...

...— to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action; what we are conscious of in reading...the mind, and its movements : and this I think may * The error of supposing that because Othello's colour does not offend us in the reading, it should...

...poem. But in the poem we for a while have Paradisaical senses given What we see upon a stage is body and bodily action; what we are conscious of in reading...movements: and this I think may sufficiently account ibr the very different sort of delight with which the same play so often a fleet s us ia the reading...

...unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of, in reading,...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of, in reading,...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of, in reading,...is almost exclusively the mind and its movements." 1 In one of " Two Old Men's Tales," 1834, entitled The Deformed, there is a story of a Hunchback Lover,...

...— to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading...very different sort of delight with which the same |>lay so often affects us in the reading and the seeing. It requires little reflection to perceive,...

...unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of, in reading,...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...