Discourses on Art

Academy acquired admiration Albert Durer ancient Antoine Coypel appear artist attention Carlo Maratti character Claude Lorrain colouring composition considered Correggio criticism David Garrick defects degree dignity Discourse disposition distinguished drapery drawing dress effect elegance endeavour equal Essays excellence expression figure finished Gainsborough genius give grace grandeur greatest habit highest imagination imitation invention Italy judgment justly kind labour landscape learned Leonardo da Vinci Luca Giordano manner Masaccio masters means method Michael Angelo mind modern nature never object observed opinion original ornaments painter painting particular passions Paul Veronese peculiar perfection perhaps picture Pietro Perugino poet poetry portraits possessed Poussin practice prejudices principles produced Raffaelle rank reason recommend Rembrandt Reynolds Rubens rules sculpture sense Sergius Paulus shew simplicity spectator student style sublime suppose taste thing thought tion Titian true truth variety Venetian Venetian school whole wish