Explorations in Art, Theology and ImaginationEquinox Publishing Ltd., 2005 - 178 من الصفحات This book sets out some steps towards such an appreciation through the exploration of three interconnecting themes. In his exploration of the first theme, Embodiment and Incarnation, the author argues that Richard Wollheim's statement that 'Art rests on the fact that deep feelings pattern themselves in a coherent way all over our life and behaviour' (Art and its Objects, 1980) applies equally to religion. With the second theme, Similarities and Differences, the author notes the way each can act as a critique of the other. Christianity has, particularly though not exclusively in its reformed and evangelical traditions, tended to over-value the word of Scripture and of dogma, with the result that the non-verbal arts have been at best ignored and often feared. Generally, on their side, the arts (particularly in the modern period) have asserted their autonomy and have generally rejected notions of responsibility to social, ethical or religious principles or ideals. Finally, in treating the theme Faith and Imagination, the author argues that art can serve as an agent of salvation by helping theology to create frames of reference for the interpretation fuller experience of personal life. Table of contents http://www.loc.gov/catdir/toc/ecip0420/2004016813.html. |
المحتوى
Chapter | 8 |
Chapter | 12 |
Chapter 2 | 31 |
Art and the Philosophers | 51 |
Part II | 71 |
Chapter 6 | 87 |
Chapter 7 | 96 |
Chapter 8 | 116 |
Symbols of the Sublime? | 133 |
Chapter 11 | 161 |
174 | |
طبعات أخرى - عرض جميع المقتطفات
Explorations in Art, Theology and Imagination <span dir=ltr>Michael Austin</span> لا تتوفر معاينة - 2005 |
عبارات ومصطلحات مألوفة
Absolute aesthetic experience argues art and religion artist artwork Balthasar beauty called chaos Christian Church claim colour consciousness contemporary critics Critique cubist D.H. Lawrence define divine Dixon dogma E.H. Gombrich Ehrenzweig emotions ethical Evelyn Underhill everyday existence expression faith feelings Friedrich von Hügel fundamental God's Gogh Gombrich Hans Kung Hans Rookmaaker Hegel Henri Matisse Herbert Read human imagination Impressionism Impressionists incarnation interpret intuition Kant Karl Barth Kierkegaard Kung landscape live London Malraux Manet Mark Rothko Matisse meaning merely metaphor metaphysical modern art Monet moral Mozart mystical Mystical Element object painters painting pantheism Pattison Paul Cézanne Paul Tillich perception philosophical Picasso question Quoted rational reality reason recognised relationship religious experience revelation rhythm Rookmaaker says Schelling Schleiermacher sculpture sense speak Spirituality of Friedrich subjective sublime symbol theologian theology things Tillich tion transcendent transcendental true truly truth Underhill understanding unity universe vision Voices of Silence Whelan word wrote