Bloch, Schoenberg, and Bernstein: Assimilating Jewish MusicOxford University Press, 2003 - 199 من الصفحات David Schiller's study of the Jewish music of Bloch, Schoenberg, and Bernstein reveals how, in the mid-twentieth century, the problem of assimilation was acutely felt as the unfinished business of European Jewry, at a time when American Jewry was creating its own distinctive culture (albeit with European roots). This incisive study sheds new light on an important aspect of the cultural and aesthetic achievements of these seminal Jewish composers. |
المحتوى
Introduction I | 1 |
Ernest Blochs Sacred Service | 12 |
Arnold Schoenbergs A Survivor | 74 |
Leonard Bernsteins Kaddish | 127 |
assimilating Jewish music | 167 |
References | 181 |
| 195 | |
عبارات ومصطلحات مألوفة
Adon Olom Adorno aesthetic American anti-Semitism Arnold Schoenberg Arnold Schoenberg Institute assimilating Jewish music augmented triad Avodath Hakodesh Bauman begins Bernstein's Kaddish Bloch's Sacred Service choral chorus composition concert Copland Creative discussion English Ernest Bloch essay Fleg German Ghetto hexachord History Holocaust Ibid interpretation Jack Gottlieb Jeremiah Jewish culture Jewish identity Jewish music Jews Judaism Kol Nidre language Leonard Bernstein letter libretto List's liturgical Mäckelmann Mahler melody Mission of Israel motif movement narrator Notes Olin Downes oratorio orchestra perspective pitches poem political postmodern prayer published quoted rabbi racial recitation Reform rehearsal relationship Ringer Rolland Romain Rolland sabbath Saminsky Schelomo Scherzo Schönberg score setting Shema Yisroel shown in Example Smakowski Survivor from Warsaw Suzanne Bloch symphony synagogue Tetragrammaton tion tonal Torah traditional trans translation Trois poèmes juifs twelve tones twelve-tone Tzur Yisroel Union Prayerbook University Press Wagner Wagnerian words writes wrote York Zionist