The Art of Thomas Hardy |
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admirable Æschylus Albemarle Street ancient Angel Clare artist Barnes beauty Casterbridge character charm Clare Clym criticism dead death delight Dorset earth Egdon Egdon Heath Elfride Elizabeth-Jane emotions English Ethelberta Eustacia experience eyes faith Farfrae feel fields genius George du Maurier George Eliot Grace Greenwood Tree Hand of Ethelberta Hardy's books heart Henchard human humour imagination labour less Lionel Johnson literature living London look lover Lucretius matter Mayor of Casterbridge meditation ment mind modern moral nature ness never novelists novels passion phrase pleasure poems poet poetic poetry present prose readers Roman rural rustic scenes seems sense sentiment simple simplicity soul spirit story strong style Tess things THOMAS HARDY thought tion Tom Fool touch tragedy tragic true Trumpet-Major truth verse village Wessex Wildeve WILLIAM BARNES Winterborne woman woodland words Wordsworth writer Yeobright
مقاطع مشهورة
الصفحة 291 - Rank weeds, that every art and care defy, Reign o'er the land, and rob the blighted rye: There thistles stretch their prickly arms afar, And to the ragged infant threaten war; There poppies, nodding, mock the hope of toil; There the blue bugloss paints the sterile soil; Hardy and high, above the slender sheaf, The slimy mallow waves her silky leaf; O'er the young shoot the charlock throws a shade, And clasping tares cling round the sickly blade; With mingled tints the rocky coasts abound, And a sad...
الصفحة 63 - Nothing is here for tears, nothing to wail Or knock the breast, no weakness, no contempt. Dispraise or blame, nothing but well and fair. And what may quiet us in a death so noble.
الصفحة 261 - Lyrical Ballads; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.
الصفحة 333 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up.
الصفحة 59 - While low delights, succeeding fast behind, In happier meanness occupy the mind : As in those domes, where Caesars once bore sway, Defaced by time and tottering in decay, There in the ruin, heedless of the dead, The shelter-seeking peasant builds his shed ; And, wondering man could want the larger pile, Exults, and owns his cottage with a smile.
الصفحة 220 - ... six helpless creatures, who had never been asked if they wished for life on any terms, much less if they wished for it on such hard conditions as were involved in being of the shiftless house of Durbeyfield.
الصفحة 300 - And thought to leave her far away behind ; But cheerly, cheerly, She loves me dearly ; She is so constant to me, and so kind: I would deceive her, And so leave her, But ah ! she is so constant and so kind.
الصفحة 112 - The great inviolate place had an ancient permanence which the sea cannot claim. Who can say of a particular sea that it is old? Distilled by the sun, kneaded by the moon, it is renewed in a year, in a day, or in an hour. The sea changed, the fields changed, the rivers, the villages, and the people changed, yet Egdon remained.
الصفحة 196 - How do you mean which?" "Do you like me, or do you respect me?" "I don't know — at least, I cannot tell you. It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs.
الصفحة 10 - The habit of contemplating and brooding over the ideas of great geniuses, till you find yourself warmed by the contact, is the true method of forming an artist-like mind ; it is impossible, in the presence of those great men, to think, or invent, in a mean manner ; a state of mind is acquired that receives those ideas only which relish of grandeur and simplicity.
معلومات المراجع
| العنوان | The Art of Thomas Hardy |
| المؤلفون | Lionel Pigot Johnson, John Lane, Joseph Edwin Barton |
| المُحرر | John Lane |
| الإصدار | معاد طباعته |
| الناشر | J. Lane, 1923 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 3 تشرين الأول (أكتوبر) 2007 |
| عدد الصفحات | 357 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |