Retreat from Likeness in the Theory of Painting

abstract art abstract artist admired Albrecht Dürer appear Aristotle Aristotle's art of painting attributed average form beauty century Cézanne Chapter character Classical color complete conception copy theory criticism Cubism discusses draw Dürer edited Enneads experience expression figures Greek hence human Ibid ideal Idem imitation important Impressionists individual ineffable insight interest Kandinsky kind knowledge Leonardo London means mystic natural forms non-objective painting original painter painting and sculpture Parrhasios particular passage pattern Paul Cézanne perception perfect Pheidias physical world picture Plato Platonic Ideas Plotinus poet Poetics Polygnotus Polykleitos produced pure Pythagoras real world reality recognizable objects recognized relation represents reproduce retreat Roger Fry says Schopenhauer Schopenhauer's sense shape Sir Joshua Reynolds species spiritual stage statue T. E. Hulme taste term things tion translation true unity universal urged vision W. D. Ross Wassily Kandinsky words writing Zeuxis