Accession Hymns: 197.

Acrostic devices: 168 and note
Acrostic Elegies, 168― Meditations,
170 - Various examples, 193 (note),
322, and (Table) 514-5.
Acts (or advancing Stages) as a mode

of movement in Prophetic litera-
ture: 411-5.

Address, Literature of: 263 and Book

IV- Divine Address as element of
Rhapsodic dialogue: 410.
Alternation as a mode of Lyric move-
ment (Pendulum Movement): 145-8,
149, 112-3 and note, 154-5, 193
- Antistrophic: 540.
Amatory language and Symbolism:

note.

-

220-4.

Ballad Dance as a primitive literary
form: 79-82.-War Ballads: (Ta-
ble) 515.

Benedictions: 197.

Blessing as a form of Prophetic litera-
ture: 284-5 and (Table) 522.
Burden: 364 and (Table) 522.

Call (Prophetic): 380 and (Table) 523.
Cardinal Points, The Four, of Litera-
ture: 75-6.

Centric Printing: 528 (note).
Ceremonial Worship a prototype of

Emblem Prophecy: 377.
Chorus, Characterised: Of Nations,
406, 448-Of Elders, 418-9-Ce-
lestial, 446-48-Of Watchmen, 448,
453-as an element of Rhapsodic
dialogue: 410.

Chorus, Impersonal, as an element in
Rhapsodic dialogue: 410-illustra-
tions: 124-8, 419, 422, 440, 442,
443, 445, 449, 452.

Chorus, Reciting, in Solomon's Song:

209.

Climax and Crescendo as devices of

Lyric movement: 72, 154, 155, 157,
169- as an effect in Lyric Prophecy :
369.

Cluster of Prophetic Sentences: 460.
Cluster of Proverbs: 299 and (Table)
519.

Colophon in Ecclesiasticus: 326-in

Deuteronomy: 482.

Commandments, The Ten, as proto-
type of the Prophetic Discourse:
365.

Comment, Text and, as a literary

form: 297-applied to Wisdom,
341-2.

Concentration as a mode of Lyric

movement: 136, 153.
Conclusions in antistrophic and stanza
structure: 52, 543.
Constitutional History: 251-2.
Contrast (or Antithesis) as a mode of
Lyric development: 179, 95, 101,
155-7.

Controversy, Prophetic: 384 and
(Table) 524.

Couplet and Triplet as figures of Par-
allelism: 48-9.- Couplet as a met-
rical unit: 529.

Creation, Account of, in Genesis as
example of Parallelism: 67-8.
Crescendo and Climax as devices of

Lyric movement: 72, 154, 155,
157, 169-as an effect in Lyric
Prophecy: 369.

Cries as an element of Rhapsodic dia-
logue: 410, 412, 429–31.
Curse, The, in Job: 6, 31-the
Primitive Curse a prototype of the
Doom Song: 392.

Cycle in Prophecy: 464-7 and (Table)
522. [Of Discourses, 464-6-Dia-
lectic Cycle, 464 (compare 383-4)

Dancing, its connection with metre:
138, 152, 529-30.
Description as a Cardinal Point of
Literature: 75, 78-82.
Description, Scenic (in the Rhap-
sody): 410; compare 416-23, 428,
439, 440, 450-2.- Prophetic: 410,
416-7, (Vision) 430-1.
Development, Lyric: 171. (See
Movement.)

Dialogue, Elements of, in Rhapsody:
409-II.

Digression in Wisdom: 342—Chain
of Digressions and Digressive Sub-
ordination, 355.

Diminution as a metrical elaboration:
550.