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CRITICAL DISSERTATION

ON

PROFESSOR WILLIS'S

"ARCHITECTURAL HISTORY

OF

CANTERBURY CATHEDRAL."

Lanfranco. Archiepo. Hui'. Ecclie. fundatore.
Hugone. Percy. Restitutore.

BY CHARLES SANDYS.

3.

"My sole object is the investigation and discovery of truth, and that object I shall
steadily pursue, alike uninfluenced by the fear of censure, or the hope of applause."

LONDON:

JOHN RUSSELL SMITH,

4, OLD COMPTON STREET, SOHO SQUARE.

MDCCCXLVI

PRINTED BY C. AND J. ADLARD,

BARTHOLOMEW CLOSE.

CONTENTS.

PAGE

1

6

7

The Saxon Church of St. John the Baptist, founded by Cuthbert, did not
form part of the Romano-British Cathedral

On the Professor's Plan of the Romano-British Church, and on his mis-

placing the Altar of the South Tower

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Some unfounded conjectures of the learned Professor censured

CHAP. III. Here beginneth Gervase, his History of the Burning and Repair

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20

SECT. 8. "Explanations," containing Gervase's interesting account of
the differences between the works of the two Williams,

and the former Norman Church

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The appropriation to Ernulf of the works of Lanfranc noticed

CHAP. VI. History of the Choir from the Twelfth Century

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Remarks Critical and Historical on the foregoing History

SECT. 1. Eleventh to Sixteenth Century

Various propositions in the Professor's work censured
Extracts from the Monkish Historians on the Works of Arch-
bishop Anselm and his Priors (Latin and English)

The like (Latin and English) on the Works of Lanfranc . 35-39

Character of Lanfranc and of his times

30-33

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30

34

45

46-47
47

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The Great North-western Tower

St. Paul's, London, and Canterbury Cathedral compared

60

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CRITICAL DISSERTATION.

PART THE FIRST.

THE learned and reverend Professor informs us in his preface (p. i) that "The Translation of Gervase, which it was the principal object of that History to illustrate, was read by him with a few necessary omissions, at the evening meeting of the architectural section of the British Archæological Association on the 11th of September, 1844; and that on the following morning he had the honour of explaining to a numerous audience in the cathedral itself, the application of that translation to the building."

To those who, like ourselves, had the good fortune to be present at that meeting, it may be unnecessary to dwell upon the intense interest which it excited, and the consummate ability with which the learned Professor treated that part of his arduous undertaking.

That useful and interesting work now appears in an enlarged and more extended form, and illustrated with numerous engravings, woodcuts, plans, sections, and elevations.

CHAPTER I, (pp. 1-19,) embraces "The Architectural History of Canterbury Cathedral from the earliest period to the year. 1130, translated from the works of Edmer the Singer and others."

In this chapter the learned Professor proposes "to relate the history of the building, and the events which bore upon its

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