صور الصفحة
PDF
النشر الإلكتروني

CHAPTER VII.

RETURN HOME.

GOETHE came back from Italy greatly enriched, but by no means satisfied. The very wealth he had accumulated embarrassed him, by the new problems it presented, and the new horizons it revealed: "For all experience is an arch wherethrough

Gleams that untravelled world, whose margin fades
For ever and for ever as we move."

He had in Rome become aware that a whole life of study would scarcely suffice to still the craving hunger for knowledge; and he left Italy with deep regret. The return home was thus, in itself, a grief; the arrival was still more painful. Every one will understand this, who has lived for many months away from the circle of old habits and old acquaintances, feeling in the new world a larger existence more consonant with his nature and his aims; and has then returned once more to the old circle, to find it unchanged,-pursuing its old paths, moved by the old impulses, guided by the old lights, -so that he feels himself a stranger. To return to a great capital, after such an absence, is to feel ill at ease; but to return from Italy to Weimar! If we, on entering London, after a residence abroad, find the same interests occupying our friends which occupied them when we left, the same family gossip, the same books talked about, the same placards loud upon the walls of the unchanging streets, the world seeming to have stood still while we have lived through so much: what must Goethe have felt coming from Italy, with his soul filled with new experience and new ideas, on observing the quiet unchanged Weimar? No one seemed to understand him; no one sympathised in his enthusiasm, or in his regrets. They found him changed. He found them moving in the same dull round, like blind horses in a mill.

First, let us note that he came back resolved to dedicate his life to Art and Science, and no more to waste efforts in the laborious duties of office. From Rome he had thus written to Karl August: "How grateful am I to you for having given me this priceless leisure. My

mind having from youth upwards had this bent, I should never have been at ease until I had reached this end. My relation to affairs sprang out of my personal relation to you; now let a new relation, after so many years, spring from the former. I can truly say, that in the solitude of these eighteen months I have found my own self again. But as what? As an Artist! What else I may be, you will be able to judge and use. You have shown throughout your life that princely knowledge of what men are, and what they are useful for; and this knowledge has gone on increasing, as your letters clearly prove to me: to that knowledge I gladly submit myself. Ask my aid in that Symphony which you mean to play, and I will at all times gladly and honestly give you my advice. Let me fulfil the whole measure of my existence at your side, then will my powers, like a new-opened and purified spring, easily be directed hither and thither. Already I see what this journey has done for me, how it has clarified and brightened my existence. As you have hitherto borne with me, so care for me in future; you do me more good than I can do myself, more than I can claim. I have seen a large and beautiful bit of the world, and the result is, that I wish only to live with you and yours. Yes, I shall become more to you than I have been before, if you let me do what I only can do, and leave the rest to others. Your sentiments for me, as expressed in your letters, are so beautiful, so honourable to me, that they make me blush,that I can only say: Lord, here am I, do with thy servant as seemeth good unto thee."

The wise Duke answered this appeal nobly. He released his friend from the Presidency of the Chamber, and from the direction of the War Department, but kept a distinct place for him in the Council, "whenever his other affairs allowed him to attend." The poet remained the adviser of his Prince, but was relieved from the more onerous duties of office. The direction of the Mines, and of all Scientific and Artistic Institutions, he retained; among them that of the Theatre.

It was generally found that he had grown colder in his manners since his Italian journey. Indeed, the process of crystallisation had rapidly advanced; and beyond this effect of development, which would have taken place had he never left Weimar, there was the further addition of his feeling himself at a different standing-point from those around him. The less they understood him, the more he drew within himself. Those who understood him, Moritz, Meyer, the Duke and Herder, found no cause of complaint.

During the first few weeks he was of course constantly at Court.

Thus the Hof-Courier Buch tells us that the day after his arrival he dined at Court. This was the 19th June. Again on the 20th, 22nd, 25th, 27th, 28th, 29th, 30th. In July, on the 1st, 2nd, 4th, 5th, 6th, 7th, 8th, 11th, 12th, 14th, 15th, 16th, 17th, 18th, 19th, 20th, and 21st, and so on almost uninterruptedly till September. His official release made the bond of friendship stronger. Besides, everyone was naturally anxious to hear about his travels, and he was delighted to talk of them.

But if Weimar complained of the change, to which it soon grew accustomed, there was one who had deeper cause of complaint, and whose nature was not strong enough to bear it-the Frau von Stein. Absence had cooled the ardour of his passion. In Rome, to the negative influence of absence, was added the positive influence of a new love. He had returned to Weimar, still grateful to her for the happiness she had given him, still feeling for her the affection which no conduct of her's could destroy, and which warmed his heart towards her to the last; but he returned also with little of the passion she had for ten years inspired; he returned with a full conviction that he had outlived it. Nor did her presence serve to rekindle the smouldering embers. Charlotte von Stein was now five-and-forty. It is easy to imagine how much he must have been struck with the change in her. Had he never left her side, this change would have approached with gradual steps, stealthily escaping observation; but the many months' absence removed a veil from his eyes. She was five-and-forty to him, as to others. In this perilous position she adopted the very worst course. She found him changed, and told him so, in a way which made him feel more sharply the change in her. She thought him cold, and her resource was-reproaches. The resource was more feminine than felicitous. Instead of sympathising with him in his sorrow at leaving Italy, she felt the regret as an offence; and perhaps it was; but a truer, nobler nature would surely have known how to merge its own pain in sympathy with the pain of one beloved. He regretted Italy; she was not a compensation to him; she saw this, and her self-love suffered. The coquette who had so long held him captive, now saw the captive freed from her chains. It was a trying moment. But even in the worst aspect of the position, there was that which a worthy nature would have regarded as no small consolation: she might still be his dearest friend; and the friendship of such a man was worth more than the love of another. But this was not to be.

Before the final rupture, he went with her to Rudolstadt, and there for the first time spoke with Schiller, who thus writes to

Körner, 12th September, 1788: "At last I can tell you about Goethe, and satisfy your curiosity. The first sight of him was by no means what I had been led to expect. He is of middle stature, holds himself stiffly and walks stiffly; his countenance is not open, but his eye very full of expression, lively, and one hangs with delight on his glances. With much seriousness his mien has nevertheless much goodness and benevolence. He is brown complexioned, and seemed to me older in appearance than his years. His voice is very agreeable, his narrations are flowing, animated, and full of spirit; one listens with pleasure; and when he is in good humour, as was the case this time, he talks willingly and with great interest. We soon made acquaintance, and without the slightest effort; the circle, indeed, was too large, and every one too jealous of him, for me to speak much with him alone, or on any but general topics. ... On the whole, I must say that my great idea of him is not lessened by this personal acquaintance; but I doubt whether we shall ever become intimate. Much that to me is now of great interest, he has already lived through; he is, less in years than in experience and self-culture, so far beyond me that we can never meet on the way; and his whole being is originally different from mine, his world is not my world, our conceptions are radically different. Time will show."

Could he have looked into Goethe's soul he would have seen there was a wider gulf between them than he imagined. In scarcely any other instance was so great a friendship ever formed between men who at first seemed more opposed to each other. At this moment Goethe was peculiarly ill-disposed towards any friendship with Schiller, for he saw in him the powerful writer who had corrupted and misled the nation. He has told us how pained he was on his return from Italy to find Germany jubilant over Heinse's Ardinghello, and Schiller's Robbers, and Fiesco. He had pushed far from him, and for ever, the whole Sturm und Drang creed; he had outgrown that tendency, and learned to hate his own works which sprang from it; in Italy he had taken a new direction, hoping to make the nation follow him in this higher region, as it had followed him before. But while he advanced, the nation stood still; he "passed it like a ship at sea". Instead of following him, the public followed his most extravagant imitators. He hoped to enchant men with the calm ideal beauty of an Iphigenia, and the sunny heroism of an Egmont; and found every one enraptured with Ardinghello and Karl Moor. His publisher had to complain that the new edition of his works, on which so much time and pains had been bestowed, went off very

slowly, while the highly-spiced works of his rivals were bought by thousands.

Schüler macht sich der Schwärmer genug, und rühret die Menge
Wenn der vernünftige Mann einzelne Liebende zählt.
Wunderthätige Bilder sind meist nur schlechte Gemälde,

Werke des Geists und der Kunst sind für den Pöbel nicht da.*

In this frame of mind it is natural that he should keep aloof from Schiller, and withstand the various efforts made to bring about an intimacy. "To be much with Goethe," Schiller writes in the February following, "would make me unhappy; with his nearest friends he has no moments of overflowingness: I believe, indeed, he is an egoist, in an unusual degree. He has the talent of conquering men, and of binding them by small as well as great attentions : but he always knows how to hold himself free. He makes his existence benevolently felt, but only like a god, without giving himself: this seems to me a consequent and well-planned conduct, which is calculated to ensure the highest enjoyment of self-love. . . . Thereby is he hateful to me, although I love his genius from my heart, and think greatly of him. . . . It is quite a peculiar mixture of love and hatred he has awakened in me, a feeling akin to that which Brutus and Cassius must have had for Cæsar. I could kill his spirit, and then love him again from my heart." These sentences read very strangely now we know how Schiller came to love and reverence the man whom he here so profoundly misunderstands, and whom he judges thus from the surface. But they are interesting sentences in many respects; in none more so than in showing that if he, on nearer acquaintance, came to love the noble nature of his great rival, it is a proof that he had seen how superficial had been his first judgment. Let the reader who has been led to think harshly of Goethe, from one cause or another, take this into consideration, and ask himself whether he too, on better knowledge, might not alter his opinion.

"With Goethe," so runs another letter, "I will not compare myself, when he puts forth his whole strength. He has far more genius than I have, and greater wealth of knowledge, a more accurate sensuous perception (eine sichere Sinnlichkeit), and to all these he adds an artistic taste, cultivated and sharpened by knowledge of all works of Art." But with this acknowledgmont of superiority there was

* Dreamers make scholars enough, they flatter the weakness of thousands,
While the intelligent man counts his disciples by tens.
Poor indeed are the pictures famous for miracle-working:
Art in its loftiest forms ne'er can be prized by the mob.

« السابقةمتابعة »