Crisis in Representation: Thomas Paine, Mary Wollstonecraft, Helen Maria Williams, and the Rewriting of the French Revolution

الغلاف الأمامي
Fairleigh Dickinson Univ Press, 1997 - 273 من الصفحات
All three responded by "writing out" the crisis - in the simultaneous sense of erasure and exposure - by reconceiving the Revolution through strategies and themes of repetition. Wollstonecraft and Williams explained the Terror as a "counterrevolutionary" return to the past, and both represented it as a repetitive version of Shakespeare's Macbeth. This intertextual revision is also resonant in the works of Thomas Paine. His historical contribution to the crisis was the recreation of himself as the revolutionary writer who had literally authored the American Revolution that, in turn, had "caused" the French Revolution.
 

المحتوى

In the Beginning Thomas Paines Two Revolutionary Careers
25
Paines Revolutionary Comedy The Bastille and October Days in the Rights of Man
45
Revisionist Patricide Thomas Paines Letter to George Washington
57
From the Beginning Paines Obsession with Origins and The Age of Reason
74
Wollstonecraft and the French Revolution
89
Wollstonecraft Macbeth and the Death of Louis XVI
102
The Bastilles Blood The October Days Barriers and Marie Antoinette
120
The Inevitability of Progress A Revolution Within Happier Far
139
The Sublime and Beautiful in Williams Letters from France
180
Feminine Representation Helen Maria Williams Letters from France
199
Rewriting the Revolution Contextual Contradiction in Williams Letters from France
215
Epilogue
236
Paines Letters to Burke
240
Notes
243
Works Cited
261
Index
269

Helen Maria Williams and the French Revolution
153
Comedy Tragedy and Romance in Williams Letters from France
163

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

معلومات المراجع