Folklore as DiscourseM. D. Muthukumaraswamy NFSC www.indianfolklore.org, 2006 - 254 من الصفحات Contributed articles with reference to India. |
المحتوى
The Advantages of Studying | 3 |
Critical Regionalism and Contemporary Discourse | 14 |
The Palace Paradigm and Historical Discourse | 21 |
Literary History Orality and Discourses | 37 |
Colonial Hegemony and Oral Discourse | 50 |
Jagar as a Discourse | 61 |
Oral Discourse and Bodo | 73 |
The Khasi Phawar Tradition | 95 |
FOLKLORE AND THE DISCOURSE OF GENDER | 145 |
Performance as Discourse | 155 |
DISCOURSE OF IDEOLOGY RELIGION AND WORLDVIEW | 163 |
Interaction assimilation | 198 |
Politics of Technology | 211 |
DISCOURSE OF PRINT ADVERTISING AND CINEMA | 229 |
Discourse on Tamil Cinema | 246 |
Contributors | 253 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
19th century Ahom Aizawl arrows Assam Assamese nationality Assamese society Basiram Bhavanamuni Bodo Bodo-Kacharis Brahmaputra Brahmin British caste myth chants Chennai cinema civilising colonial hegemony construction context created culture dance deities Delhi Dimasas discourse analysis dominant drama epic ethnic example female film folklorists folksongs folktales Foucault gender genres Goan groups Guwahati heterotopia Hindu Hinduism Hukum identity ideology important Indian Jagar Jawaharlal Handoo kalam Kerala king kulapurana language legends literary literature madness Madras male meaning Mizo Mizoram movement Mysore narrative native oral discourse oral tradition origin pagal palace paradigm paraiyar phawar political popular Portuguese practice reference region relationship religion religious ritual role sacred space scholars single sheets social Sohra songs South India stories structure symbolic Tamil Tamil Nadu temple term Teyyam Tezpur Tolkaappiyam tribal tribes University Vaishnavite various village woman women words worldview worship