A Short History of Modern English LiteratureD. Appleton, 1897 - 416 من الصفحات |
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عبارات ومصطلحات مألوفة
Addison admirable beauty Ben Jonson blank verse Blind Harry Boileau brilliant Byron Canterbury Tales Carlyle character Charlotte Brontë charm Chaucer classical close Coleridge comedy completely contemporaries criticism death drama Dryden earliest early eighteenth century elegant Elizabethan England English literature English poetry English prose essays Europe exquisite fancy fiction Fletcher France French genius Giles Fletcher grace imagination imitation influence intellectual interest Jane Austen JOHN Jonson Keats Langland language Latin less literary living lyrical mainly manner mediæval melody merit Milton mind modern Molière narrative never novel passion perhaps period philosophical Piers Plowman plays poem poet poetic political Pope popular produced prosody published pure readers revolution rhyme romance satire scarcely Scott seems Shakespeare Shelley song Spenser spirit splendid story style Surrey Swift talent taste Tennyson THOMAS thought tion tragedies translation volume WILLIAM Wordsworth writer written wrote
مقاطع مشهورة
الصفحة 222 - To Dr. Jonathan Swift, the most agreeable companion, the truest friend, and the greatest genius of his age.
الصفحة 174 - Resolution, to reject all the amplifications, digressions, and swellings of style: to return back to the primitive purity, and shortness, when men deliver'd so many things, almost in an equal number of words. They have exacted from all their members, a close, naked, natural way of speaking; positive expressions, clear senses; a native easiness: bringing all things as near the Mathematical plainness, as they can: and preferring the language of Artizans, Countrymen, and Merchants, before that, of Wits,...
الصفحة 183 - When all is done (he concludes), human life is at the greatest and the best but like a froward child, that must be played with, and humoured a little, to keep it quiet, till it falls asleep, and then the care is over.
الصفحة 19 - He must have been a man of a most wonderful comprehensive nature, because, as it has been truly observed of him, he has taken into the compass of his " Canterbury Tales" the various manners and humours (as we now call them) of the whole English nation, in his age. Not a single character has escaped him.
الصفحة 177 - There is no theatre in the world has anything so absurd as the English tragicomedy. 'Tis a drama of our own invention, and the fashion of it is enough to proclaim it so: here a course of mirth, there another of sadness and passion, and a third of honour and a duel. Thus in two hours and a half we run through all the fits of Bedlam.
الصفحة 167 - ... to be obtained by the invocation of Dame Memory and her Siren Daughters; but by devout prayer to that Eternal Spirit who can enrich with all utterance and knowledge, and sends out his Seraphim with the hallowed fire of his altar to touch and purify the lips of whom he pleases...
الصفحة 278 - The Rime of the Ancyent Marinere was professedly written in imitation of the style, as well as of the spirit of the elder poets...
الصفحة 135 - To come therefore to what we have in hand; if you would have your son reason well, let him read Chillingworth; and if you would have him speak well, let him be conversant in Tully, to give him the true idea of eloquence; and let him read those things that are well writ in English, to perfect his style in the purity of our language.
الصفحة 90 - I have no other choice Either for pen or voice To sing or write. 0 Love! they wrong thee much That say thy sweet is bitter, When thy rich fruit is such As nothing can be sweeter. Fair house of joy and bliss, Where truest pleasure is, I do adore thee: 1 know thee what thou art, I serve thee with my heart, And fall before thee.