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embrace all." * The scholar, it is true, may fail to obtain from this little manual the information respecting some old and half-forgotten treatise, which has long baffled his search, and the lover of light literature will often look in vain for the title of some popular but ephemeral novel (and it is in the department of prose-fiction that the greatest difficulty in selection has been experienced), yet it is hoped and confidently believed that the general reader, recognizing at once the usefulness of such a work, and the difficulties inseparable from its successful execution, will kindly allow its merits, excuse its defects, and receive it as the convenient vademecum it is intended to be.

In the preparation of this Index, use has been made of Appleton's and Chambers's Encyclopædias, Hoefer's Nouvelle Biographie Générale, Michaud's Biographie Universelle, Thomas's Biographical Dictionary, Payne's Index of Biography, and other similar standard works of reference. A thorough examination has also been made of the catalogues of the Boston Public Library and of the Library of Congress, as well as of works specially devoted to the various branches of literary history, of which it will be sufficient to name no more than Allibone's Dictionary of Authors, Hallam's Introduction to the Literature of Europe, Craik's Cyclopædia of English Literature, Duyckinck's Cyclopædia of American Literature. Longfellow's Poets and Poetry of Europe, Dana's Household Book of Poetry, Hedge's Prose Writers of Germany, and Ticknor's History of Spanish Literature.

WILLIAM A. WHEELER.

* Le critique se trouve comme noyé dans cette abondance; il doit choisir pour saisir D'ensemble, et se reduiré à quelques-uns pour les embrasser tous. Histoire de la littérature anglaise. Paris, 1864. T. 4, p. 72.

NOTE.

THE preface above given had been printed, and the first part of the manuscript of this Index had been finally revised for the printer, when the work was interrupted by the death of Mr. WILLIAM A. WHEELER.

Attention had first been called to the book (then in preparation) in the preface to his Dictionary of the Noted Names of Fiction, 1865, and it was afterwards announced by the publishers as soon to be issued under the title of Who Wrote It? Since these announcements a work bearing the same title, but wholly unlike this both in scope and contents, has been published in England. Two other English works (both republished in this country), which apparently cover a part of the same ground as this Index, and one of which seems to have embodied to a large extent both the plan and contents of Mr. Wheeler's Dictionary of the Noted Names of Fiction, have also appeared since public notice was given of the intended publication of Who Wrote It? But notwithstanding some points of similarity, neither of these works fills the place which this little manual is designed to occupy, and it is confidently believed that no work exists, which aims, like this, to present in a condensed form a synoptic view of the more noted works in ancient and modern literature.

In the notes which are appended to some of the articles the purpose has merely been to give a few facts (sometimes of an historical character) which it is thought may be interesting to the general reader, and which it is hoped may in some cases save the necessity of further research. No attempt has been made to give the plots of novels and dramas, or to furnish descriptions of those works about which an ordinary reader may easily inform himself. In the preparation of these notes the statements have been carefully collated from independent sources, and no hesitation has been felt in using an author's exact words when the information needed has been found already expressed in what seemed the best language. Some familiar first lines of English poetry have been included in the work.

The end in view, as stated in the original preface, being the preparation of a small manual, not of a general index, it has of course been impossible to include the popular books of the day, and comparatively few are inserted

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which have been published in the latter half of the present century. Let the reader who does not find the work about which he seeks information ask himself two questions: Is it one of the More Noted (and not very recent) works of literature? Has it a specific and distinctive title? Doubtless some of the older works here included may seem to have a very questionable right to admission, and to be so far forgotten as to rank with the rauci Theseïde Codri which lives only in the line of Juvenal, but in general such works have had a certain fame which gives them a recognized place in the history of literature. Likewise a few ephemeral works of more recent date may now and then have gained admission for one or another reason, but because of these insertions no responsibility is felt for the omission of thousands of a similar class, or in fact for the exclusion of any works which are not famous. In accordance with the original plan, and in continuation of this book, the editor has now in an advanced state of preparation a companion-volume, intended to include a class of works which do not properly come within the scope of this book, but which it is believed will meet the wants of readers who do not find here in all cases the information they seek.

It merely remains to add that the present editor has endeavored to carry out the work in accordance with the original design; that, in so doing, his aim has been to secure the highest practicable degree of accuracy, comprehensiveness, and practical utility; and, finally, that any corrections or suggestions which may be sent to him will be gratefully received, and used in the preparation of a future edition.

BOSTON, 1881.

CHARLES G. WHEELER.

[Titles are entered, as a rule, under the first word not an article. Exception is however made in case of some names of which the first word is not commonly known or not especially prominent, e. g., Adam Smith's Inquiry into the Nature and Causes of the Wealth of Nations will be found under Wealth of Nations, the title by which it is popularly known.]

WHO WROTE IT?

A.

Abbot, The. Novel. Sir Walter Scott (1771-1832).

In part a continuation of The Monastery. Relates to the imprisonment of Mary, queen of Scots, in the castle of Lochleven, her subsequent escape, and the battle of Langside. Abbot of Canterbury. See KING JOHN AND THE ABBOT.

Abdallah. (1773-1853).

Novel. Ludwig Tieck

Abderiten, Die. [The Abderites.] Humorous work. Christoph Martin Wieland (1733-1813).

There is an English translation, entitled The Republic of Fools; being the History of the State and People of Abdera, in Thrace. Abel, Death of. See Tod Abels. Abele. Tragedy. Vittorio Alfieri (1749-1803).

Abencérages, Aventures du dernier des. [Adventures of the last of the Abencerrages.] Novel. François René, vicomte de Châteaubriand (17681848).

Abon Ben Adhem and the Angel. Metrical parable. Leigh Hunt (17841859).

Abradates and Panthea. Poem. Edwin Atherstone (1788-1872).

Abraham de Aartsvader. [Abraham the Patriarch.] Epic poem. Ärnold Hoogvliet (1687-1763).

Absalom. See DAVID AND BETH

SABE.

Absalom and Achitophel. Political satire. John Dryden (1631–1700).

Written in defence of Charles II.. the "David" of the poem, and against the Whigs. "Absalom" was the Duke of Monmouth, natural son of Charles II.; Achitophel," the Earl of Shaftesbury; and the Duke of Buckingham was satirized as Zimri." The second part of this poem was chiefly written by Nahum Tate.

Absentee, The. Tale. Maria Edgeworth (1767-1849).

One of the Tales of Fashionable Life. Abuses, Anatomy of. See ANATOMY OF ABUSES.

Abuses Stript and Whipt. Poetical satires. George Wither (1588-1667).

These satires, in which he inveighs against the manners of the times, caused the imprisonment of Wither in the Marshalsea prison, where he wrote his Shepherds' Hunting. Abydos, Bride of. See BRIDE OF ABYDOS.

Academica.

[Academics.] Upon the Academic philosophy. Cicero (10643 B. C.)

Written at his estate of Academia, between Lake Avernus and Puteoli.

Academicæ Quæstiones (Disputationes). [Academic Questions (Disputations).] See ACADEMICA.

Accidents, Chapter of. See CHAPTER OF ACCIDENTS.

Acharnenses. See ACHARNIANS. Acharnians, The. [Gr. Oi 'Axanveis, Lat. Acharnenses.] Comedy. Aristophanes (444-380? B. C.)

Written in favor of peace and against the war then being carried on between Athens and Sparta. The scene is laid chiefly in Achariæ, a small town of Attica.

Achilleis. Poem. Statius (61 ?-96 ?). An unfinished epic on the exploits of Achilles. Achilleis is the title of a poem by Goethe (1749-1832), and Achilles that of an opera by John Gay (1688-1732).

Acis and Galatea. John Gay (16881732). Set to music by Handel.

Also the title of an heroic pastoral with words by Campistron, and music by Lulli.

Acta Diurna. [Daily doings.] Pub lic reports issued daily in ancient Rome.

Contained authorized records of public proceedings and events, such as assemblies, edicts, executions, trials, and a register of births, deaths, marriages, divorces, etc.

ACTA SANCTORUM

was

Julius Cæsar, to whom is attributed the origin of this species of " newspaper, the first to order the regular publication of the daily proceedings of the senate and the people. The Acta are however traced by some to an earlier date.

Acta Sanctorum. [Acts of the Saints.] Compiled by John Bollandus and others.

The idea of the Acta Sanctorum originated with Heribert Rosweyd (d. 1629). The work was begun under the charge of John Bolland, and the first two volumes were published in 1643. After his death the work was continued by other "Bollandists" until the publication of the 54th volume in 1794. The series is arranged in the order of the months, and when the work was discontinued in 1794 had advanced about as far as the middle of October. In 1837 a plan of continuing the work was announced, and the first volume of the continuation was published in 1845. Actor, The. Poem. Robert Lloyd (1733-1764).

Acts and Monuments of the Church. See BOOK OF MARTYRS.

Acts of the Apostles. Usually ascribed to St. Luke (1st century).

Ada Reis. Romance. Lady Caroline Lamb (1785-1828).

Adagia. [Adages.] Desiderius Erasmus (1467-1536).

A collection of more than 4,000 proverbs,etc., from the ancient Greek and Latin authors.

Adam Bede. Novel. M. E. Lewes, formerly Miss Evans, George Eliot (1820 ?1880).

Adam Bell. Ballad. Unknown. Adam Blair. Novel. John G. Lockhart (1794-1854).

Adamo, L'. [Adam.] Sacred drama. Giovanni Battista Andreini (1578 ?1652?).

Andreini is perhaps best known by name in England, and that for one only of his eighteen dramas, the Adamo, which has been supposed, on too precarious grounds, to have furnished the idea of Paradise Lost in the original form, as it was planned by its great author."-Hallam.

Address to Edinburgh. Robert Burns (1759-1796).

Poem.

Address to his Soul. See ANIMULA, VAGULA, BLANDULA.

Address to the Deil. Humorous poem. Robert Burns (1759-1796).

Address to the Mummy in Belzoni's Museum. Poem. Horace Smith (1799-1849).

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Address to the Unco Guid. Poem. Robert Burns (1759-1796).

Adela Cathcart. Novel. George MacDonald (b. 1824).

Adelaide. Poem. Friedrich VOD Matthisson (1761-1831).

Set to music by Beethoven.

Adelchi. Tragedy. Alessandro Manzoni (b. 1784).

Adèle et Théodore.

[Adela and Theodore.] Stephanie Félicité, Countess of Genlis (1746-1830).

Adelgitha. Tragedy. Matthew Gregory Lewis, Monk Lewis (1775-1818). Adeline Mowbray. Novel. Amelia Opie (1769-1853).

Adelphi. [The Brothers.] Terence (194 ?-159? B. C.)

Comedy.

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Admiral Hosier's Ghost. Ballad. Richard Glover (1712-1785).

Written, on the taking of Carthagena from the Spaniards, 1739, to excite the English nation to a war with Spain.

Adonais. Elegy on the death of Keats. Percy B. Shelley (1792-1822). Adone [Adonis. Poem. Giambattista Marini (1569-1625).

Containing more than 45,000 lines. Adonis, Lament for. [Gr. 'Emiтápios * Αδώνιδος.] Bion, of Smyrna (fl. 280 B. C.) Mrs. Browning (1809-1861) wrote a Lament for Adonis, from the Greek of Bion.

Advancement of Learning. Philosophical treatise. Lord Bacon(1561-1626).

Published in 1605. This work, enlarged and translated into Latin, was reproduced in 1623 under the title of De Augmentis Scientiarum. It is the opening book of the Instauratio Magna, and contains the leading principles of the Baconian philosophy.

See INSTAURATIO MAGNA, NOVUM ORGANUM, and SYLVA SYLVARUM.

Adventurer, The. Periodical essays. John Hawkesworth, Samuel Johnson, and others.

Issued every Tuesday and Saturday from November 7th, 1752, to March 9th, 1754. Edited by Hawkesworth, who wrote seventy of the one hundred and forty essays.

Adventures. For titles beginning with ADVENTURES see the next prominent word, e. g., ADventures of CALEB WILLIAMS, see CALEB WILLIAMS.

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