A Classical Tour Through Italy An. MDCCCII...

الغلاف الأمامي
Glaucus Masi, 1818
 

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الصفحة 42 - ... at the expense of the church and country. The palaces of these fortunate nephews are the most costly monuments of elegance and servitude ; the perfect arts of architecture, painting, and sculpture, have been prostituted in their service, and their galleries and gardens are decorated with the most precious works of antiquity, which taste or vanity has prompted them to collect.
الصفحة 337 - Litus ornant varietate gratissima nunc continua, nunc intermissa tecta villarum, quae praestant multarum urbium faciem, sive mari sive ipso litore utare; quod non numquam longa tranquillitas mollit, saepius fre.quens et contrarius fluctus indurat.
الصفحة 197 - When the pope celebrates divine service, as on Easter Sunday, Christmas Day, Whit Sunday, St. Peter and St. Paul, &c. the great or middle doors of the church are thrown open at ten, and the procession, formed of all the persons mentioned above, preceded by a beadle carrying the papal cross, and two others bearing lighted torches, enters and advances slowly in two long lines between two ranks of soldiers up the nave. This majestic procession is closed by the pontiff himself, seated in a chair of state...
الصفحة 343 - Whatever may have been its state in fabulous times, the same Pliny relates, on the authority of a more ancient Latin writer, that at an early period of the Roman republic, the tract of country afterwards included in the marshes contained thirty-three cities, all of which gradually disappeared before the ravages of war, or the still more destructive influence of the increasing fens. These fens are occasioned by the quantity of water carried into the plain by numberless streams that rise at the foot...
الصفحة 199 - ... then rises, gives his benediction to the two deacons that kneel at his feet with the book of the gospels, and resigning his tiara, stands while the gospel is sung in Latin and in Greek ; after which he commences the Nicene creed which is continued in music by the choir. When the creed and the psalm that follows it are over, he descends from his throne, and approaching the altar with the same attendants and the same pomp as in the commencement of the service, he receives and offers up the usual...
الصفحة 155 - Before him, raised on three successive flights of marble steps, extending four hundred feet in length, and towering to the elevation of one hundred and eighty, he beholds the majestic front of the Basilica itself. This front is supported by a single row of Corinthian pillars and pilasters, and adorned with an attic, a balustrade, and thirteen colossal statues. — Far behind and above it, rises the matchless Dome, the justly celebrated wonder of Rome and of the loorld.
الصفحة 433 - Classical Tour," i. 499, " which, though not genuine, is yet ancient, was inscribed by order of the Duke of Pescolangiano, then proprietor of the place, on a marble slab placed in the side of the rock opposite the entrance of the tomb, where it still remains.
الصفحة 156 - Two less cupolas, one on each side, partake of the state, and add not a little to the majesty of the principal dome. The interior corresponds perfectly with the grandeur of the exterior, and fully answers the expectations, however great, which such an approach must naturally have raised.
الصفحة 385 - I awoke next morning. In front and under my windows, the bay of Naples spread its azure surface smooth as glass, while a thousand boats glided in different directions over its shining bosom : on the right the town extended along the semicircular shore, and Posilipo rose close behind it, with churches and villas, vineyards and pines scattered in confusion along its sides and on its ridge, till, sloping as it advanced the bold hill terminated in a craggy promontory. On the left at the end of...
الصفحة 154 - PETER'S. From the bridge and Castle de St. Angela, a wide street conducts in a direct line to a square, and that square presents at once the court or portico, and part of the Basilica. — When the spectator approaches the entrance of this court, he views four rows of lofty pillars sweeping off to the right and left in a bold semicircle. In the centre of the area formed by this immense colonnade, an Egyptian obelisk, of one solid piece of granite, ascends to the height of one hundred and thirty feet...

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