New Directions in Literary History

achieved actually aesthetic answer appear approach artistic autobiography become begin called century changes characteristic communication complex comprehension concept considered context continuity conventions course criticism cultural described determined discourse distinction effect elements example existence expectations experience explain expression fact fiction formal function genre historian human ideas images imagination important individual intention interest interpretation kind knowledge language later less limited linguistic literary history literature matter meaning method mind mode narrative nature novel object observations original painting particular past perhaps play poem poetic poetry possible present problem production question reader reading reality reason reception reference relation relationship represented result seems sense significance social specific statements story structure style theory things thought tion tradition true truth turn understanding University utterance verbal visual whole writing York