The Poetics of Melancholy in Early Modern England
Cambridge University Press, 30/09/2004 - 252 من الصفحات
The Poetics of Melancholy in Early Modern England explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century. By emphasising the shared concerns of the 'non-literary' and 'literary' texts produced by figures such as Edmund Spenser, John Donne, Robert Burton, and John Milton, Douglas Trevor asserts that quintessentially 'scholarly' practices such as glossing texts and appending sidenotes shape the methods by which these same writers come to analyse their own moods.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
The reinvention of sadness
The margins of learning
Detachability and the passions in Edmund Spensers The Shepheardes Calender
Sadness in The Faerie Queene
Hamlet and the humors of skepticism
John Donne and scholarly melancholy
the Sidenote as Symptom
Robert Burtons melancholic England
Burtons scholarly method
طبعات أخرى - عرض جميع المقتطفات
according already Anatomy of Melancholy appears argue becomes believe Biathanatos body Burton Cambridge cause Christian claims criticism Culture death depression describes desire Devotions disposition divine Donne Donne's early modern edition emotional England English example experience fact Faerie Queene father feels figure Galenic Hamlet Holy human humoral imagine insists intellectual interest John kind knowledge learned less letter literary London marginal material means method Milton mind nature never notes objectal one's Oxford Paradise Lost particular passions pastoral period play poem poet position possible present question readers reading reason references regard rejection religious remains Renaissance sadness scholarly scholars sense seventeenth century Shakespeare Shepheardes Calender skepticism social solitary soul Spenser spiritual suffering suggest theory Thomas thought tracts tradition true turn understanding University Press writing