The Works, المجلد 1

acquired admirable advantage Albert Durer ancient appear artist attain attention beauty Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio criticism defects degree dignity DISCOURSE distinguished drapery drawing dress Edmond Malone effect elegance employed endeavour equally excellence exhibited expression figure finished Gainsborough genius GENTLEMEN give grace grandeur habit honour idea imagination imitation invention Johnson justly kind labour light Lord Luca Giordano manner Masaccio masters means merit method Michael Angelo mind modern nature never object observed opinion ornaments painter painting particular passions Paul Veronese peculiar perfection perhaps picture Pietro Perugino Poet poetry portraits possessed Poussin practice principles produced publick racter Raffaelle reason Rembrandt Royal Academy Rubens rules Sculpture sense shew simplicity Sir Joshua Reynolds spectator Student style suppose taste thing thought tion Titian true truth Vandyck Venetian Venetian School whole wish