The British Essayists: The Mirror

الغلاف الأمامي
J. Johnson, J. Nichols and Son, R. Baldwin, F. and C. Rivington, W. Otridge and Son, W. J. and J. Richardson, A. Strahan, J. Sewell, R. Faulder, G. and W. Nicol, T. Payne, G. and J. Robinson, W. Lowndes, G. Wilkie, J. Mathews, P. McQueen, Ogilvy and Son, J. Scatcherd, J. Walker, Vernor and Hood, R. Lea, Darton and Harvey, J. Nunn, Lackington and Company, D. Walker, Clarke and Son, G. Kearsley, C. Law, J. White, Longman and Rees, Cadell, Jun. and Davies, J. Barker, T. Kay, Wynne and Company, Pote and Company, Carpenter and Company, W. Miller, Murray and Highley, S. Bagster, T. Hurst, T. Boosey, R. Pheney, W. Baynes, J. Harding, R. H. Evans, J. Mawman; and W. Creech, Edinburgh, 1802
 

الصفحات المحددة

المحتوى

عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة 95 - Hudibras, Doubtless the pleasure is as great Of being cheated, as to cheat...
الصفحة 104 - The Italian attends only to the invariable, the great and general ideas which are fixed and inherent in universal nature ; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
الصفحة 165 - thou to whose voice nations have listened, and whose wisdom is known to the extremities of Asia, tell me how I may resemble Omar the prudent. The arts by which...
الصفحة 167 - I still wished to see distant countries; listened with rapture to the relations of travellers; and resolved some time to ask my dismission, that I might feast my soul with novelty : but my presence was always necessary ; and the stream of business hurried me along. Sometimes I was afraid lest I should be charged with ingratitude : but I still proposed to travel, and therefore would not confine myself bv marriaee.
الصفحة 103 - DISCOURSING in my last letter on the different practice of the Italian and Dutch painters, I observed, that " the Italian painter attends only to the invariable, the great and general ideas which are fixed and inherent in universal nature.
الصفحة 105 - ... be known to belong to that species ; he selects, as the painter does, the most beautiful, that is, the most general form of nature. ' Every species of the animal as well as the vegetable creation may be said to have a fixed or determinate form towards which nature is continually inclining...
الصفحة 40 - THE natural progress of the works of men is from rudeness to convenience, from convenience to elegance, and from elegance to nicety.
الصفحة 91 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the Divinity that stirs within us, 'Tis Heaven itself, that points out an hereafter, And intimates eternity to man.
الصفحة 175 - If men kill our prey and lay it in our way,' said the young one, ' what need shall we have of labouring for ourselves?' ' Because man will, sometimes,' replied the mother, ' remain for a long time quiet in his den. The old vultures will tell you when you are to watch his motions. When you see men in great numbers moving close together, like a flock of storks, you may conclude that they are hunting, and that you will soon revel in human blood.
الصفحة 86 - Another reason which has lessened my affection for the study of criticism is, that criticks, so far as I have observed, debar themselves from receiving any pleasure from the polite arts, at the same time that they profess to love and admire them : for these rules, being always uppermost, give them such a propensity to criticise, that instead of giving up the reins of their imagination into their author's hands, their frigid minds are employed in examining whether the performance be according to the...

معلومات المراجع