European Literature and the Latin Middle AgesPrinceton University Press, 1990 - 718 من الصفحات In this "magnificent book" (T. S. Eliot), Ernst Robert Curtius (1886-1956), one of the foremost literary scholars of this century, examines the continuity of European literature from Homer to Goethe, with particular emphasis on the Latin Middle Ages. In an extensive new epilogue, drawing on hitherto unpublished material, Peter Godman analyzes the intellectual and political context and character of Curtius's ideas. |
المحتوى
European Literature | 3 |
The Latin Middle Ages | 17 |
2 ANTIQUE AND MODERN WORLDS | 19 |
3 THE MIDDLE AGES | 20 |
4 THE LATIN MIDDLE AGES | 24 |
5 ROMANIA | 30 |
Literature and Education | 36 |
2 THE CONCEPT OF THE Artes IN THE MIDDLE AGES | 39 |
3 CANON FORMATION IN THE CHURCH | 256 |
4 MEDIEVAL CANON | 260 |
5 MODERN CANON FORMATION | 264 |
Mannerism | 273 |
2 RHETORIC AND MANNERISM | 274 |
3 FORMAL MANNERISMS | 282 |
4 RECAPITULATION | 291 |
5 EPIGRAM AND THE STYLE OF pointes | 292 |
3 GRAMMAR | 42 |
4 ANGLOSAXON AND CAROLINGIAN STUDIES | 45 |
5 CURRICULUM AUTHORS | 48 |
6 THE UNIVERSITIES | 54 |
7 Sententiae and Exempla | 57 |
Rhetoric | 62 |
2 RHETORIC IN ANTIQUITY | 64 |
3 SYSTEM OF ANTIQUE RHETORIC | 68 |
4 LATE ROMAN ANTIQUITY | 71 |
5 JEROME | 72 |
6 AUGUSTINE | 73 |
7 CASSIDORUS AND ISIDORE | 74 |
8 Ars dictaminis | 75 |
9 WIBALD OF CORVEY AND JOHN OF SALISBURY | 76 |
10 RHETORIC PAINTING MUSIC | 77 |
Topics | 79 |
1 TOPICS OF CONSOLATORY ORATORY | 80 |
2 HISTORICAL TOPICS | 82 |
3 AFFECTED MODESTY | 83 |
4 TOPICS OF THE EXORDIUM | 85 |
5 TOPICS OF THE CONCLUSION | 89 |
6 INVOCATION OF NATURE | 92 |
7THE WORLD UPSIDEDOWN | 94 |
8 BOY AND OLD MAN | 98 |
9 OLD WOMAN AND GIRL | 101 |
The Goddess Natura | 106 |
2 BERNARD SILVESTRIS | 108 |
3 SODOMY | 113 |
4 ALAN OF LILLE | 117 |
5 EROS AND MORALITY | 122 |
6 THE ROMANCE OF THE ROSE | 124 |
Metaphorics | 128 |
2 PERSONAL METAPHORS | 131 |
3 ALIMENTARY METAPHORS | 134 |
4 CORPORAL METAPHORS | 136 |
5 THEATRICAL METAPHORS | 138 |
Poetry and Rhetoric | 145 |
2 POETRY AND PROSE | 147 |
3 SYSTEM OF MEDIEVAL STYLES | 148 |
4 JUDICIAL POLITICAL AND PANEGYRICAL ORATORY IN MEDIEVAL POETRY | 154 |
5 INEXPRESSIBILITY TOPOI | 159 |
6 OUTDOING | 162 |
7 EULOGY OF CONTEMPORARIES | 165 |
Heroes and Rulers | 167 |
2 HOMERIC HEROES | 170 |
3 VIRGIL | 173 |
4 LATE ANTIQUITY AND THE MIDDLE AGES | 174 |
5 PRAISE OF RULERS | 176 |
6 ARMS AND STUDIES | 178 |
7 NOBILITY OF SOUL | 179 |
8 BEAUTY | 180 |
The Ideal Landscape | 183 |
2 GREEK POETRY | 185 |
3 VIRGIL | 190 |
4 RHETORICAL OCCASIONS FOR THE DESCRIPTION OF NATURE | 193 |
5 THE GROVE | 194 |
6 THE PLEASANCE | 195 |
7 EPIC LANDSCAPE | 200 |
Poetry and Philosophy | 203 |
2 POETRY AND PHILOSOPHY | 207 |
3 PHILOSOPHY IN LATE PAGAN ANTIQUITY | 209 |
4 PHILOSOPHY AND CHRISTIANITY | 211 |
Poetry and Theology | 214 |
2 ALBERTINO MUSSATO | 215 |
3 DANTES SELFEXEGESIS | 221 |
4 PETRARCH AND BOCCACCIO | 225 |
The Muses | 228 |
Classicism | 247 |
2 THE ANCIENTS AND THE MODERNS | 251 |
6 BALTASA GRACIÁN | 293 |
The Book as Symbol | 302 |
2 GREECE | 304 |
3 ROME | 308 |
4 THE BIBLE | 310 |
5 EARLY MIDDLE AGES | 311 |
6 HIGH MIDDLE AGES | 315 |
7 THE BOOK OF NATURE | 319 |
8 DANTE | 326 |
9 SHAKESPEARE | 332 |
10 WEST AND EAST | 340 |
Dante | 348 |
2 DANTE AND LATINITY | 350 |
3 THE Commedia AND THE LITERARY GENRES | 357 |
4 EXEMPLARY FIGURES IN THE Commedia | 362 |
5 THE PERSONNEL OF THE Commedia | 365 |
6 MYTH AND PROPHECY | 372 |
7 DANTE AND THE MIDDLE AGES | 378 |
Epilogue | 380 |
2 THE BEGINNINGS OF THE VERNACULAR LITERATURES | 383 |
3 MIND AND FORM | 388 |
4 CONTINUITY | 391 |
5 IMITATION AND CREATION | 397 |
EXCURSUSES | 403 |
Misunderstandings of Antiquity in the Middle Ages | 405 |
Devotional Formula and Humility | 407 |
Grammatical and Rhetorical Technical Terms as Metaphors | 414 |
Jest and Earnest in Medieval Literature | 417 |
2 THE CHURCH AND LAUGHTER | 420 |
3 JEST AND EARNEST IN THE EULOGY OF RULERS | 422 |
4 JEST IN HAGIOGRAPHY | 425 |
5 COMIC ELEMENTS IN THE EPIC | 429 |
6 KITCHEN HUMOR AND OTHER Ridicula | 431 |
Late Antique Literary Studies | 436 |
2 LATE ROMAN GRAMMAR | 438 |
3 MACROBIUS | 443 |
Early Christian and Medieval Literary Studies | 446 |
2 CASSIODORUS | 448 |
3 ISIDORE | 450 |
4 ALDHELM | 457 |
5 EARLY CHRISTIAN POETRY | 458 |
6 NOTKER BALBULUS | 463 |
7 AIMERIC | 464 |
8 LITERARY STUDIES IN THE TWELFTH AND THIRTEENTH CENTURIES | 465 |
The Mode of Existence of the Medieval Poet | 468 |
The Poets Divine Frenzy | 474 |
Poetry as Perpetuation | 476 |
Poetry as Entertainment | 478 |
Poetry and Scholasticism | 480 |
The Poets Pride | 485 |
Brevity as an Ideal Style | 487 |
Etymology as a Category of Thought | 495 |
Numerical Composition | 501 |
Mention of the Authors Name in Medieval Literature | 515 |
The Chilvaric System of the Virtues | 519 |
The Ape as Metaphor | 538 |
Apains Cultural Belatedness | 541 |
God as Maker | 544 |
Theological ArtTheory in the Spanish Literature of the Seventeenth Century | 547 |
Calderóns Theory of Art and the Artes Liberales | 559 |
Montesquieu Ovid and Virgil | 571 |
Diderot and Horace | 573 |
The Medieval Bases of Western Thought | 587 |
EPILOGUE | 599 |
BIBLIOGRAPHICAL NOTE | 655 |
656 | |
659 | |
طبعات أخرى - عرض جميع المقتطفات
European Literature and the Latin Middle Ages <span dir=ltr>Ernst Robert Curtius</span> لا تتوفر معاينة - 1979 |
عبارات ومصطلحات مألوفة
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