صور الصفحة
PDF
النشر الإلكتروني

tem of anonymity and publicity, of denial and assertion, of Mystification in all senses, has Voltaire surrounded himself. He can raise no standing armies for his defence, yet he too is a "European Power," and not undefended; an invisible, impregnable, though hitherto unrecognized bulwark, that of Public Opinion, defends him. With great art, he maintains this stronghold; though ever and anon sallying out from it, far beyond the permitted limits. But he has his coat of darkness, and his shoes of swiftness, like that other Killer of Giants. We find Voltaire a supple courtier, or a sharp satirist; he can talk blasphemy, and build churches, according to the signs of the times. Frederick the Great is not too high for his diplomacy, nor the poor Printer of his Zadig too low;' he manages the Cardinal Fleuri, and the Curé of St. Sulpice; and laughs in his sleeve at all the world. We should pronounce him to be one of the best politicians on record; as we have said, the adroitest of all literary men.

1

At the same time, Voltaire's worst enemies, it seems to us, will not deny that he had naturally a keen sense for rectitude, indeed for all virtue: the utmost vivacity of temperament characterizes him; his quick susceptibility for every form of beauty is moral as well as intellectual. Nor was his practice without indubitable and highly creditable proofs of this. To the help-needing he was at all times a ready benefactor: many were the hungry adventurers who profited of his bounty, and then bit the hand that had fed them. If we enumerate his generous acts, from the case of the Abbé Desfontaines down to that of the Widow Calas, and the Serfs of Saint Claude, we shall find that few private men have had so wide a circle of charity, and have watched over it so well. Should it be objected that love of reputation entered largely into these proceedings, Voltaire can afford a handsome deduction on that head: should the uncharitable even calculate that love of

to lie perdue, for two months, at the Castle of Sceaux; and, with closed windows, and burning candles in daylight, compose Zadig, Babouc, Memnon, &c. for his amusement.

1 See in Longchamp (pp. 154-163) how, by natural legerdemain, a knave may be caught, and the change rendu à des imprimeurs infidèles.

reputation was the sole motive, we can only remind them that love of such reputation is itself the effect of a social, humane disposition; and wish, as an immense improvement, that all men were animated with it. Voltaire was not without his experience of human baseness; but he still had a fellow-feeling for human sufferings; and delighted, were it only as an honest luxury, to relieve them. His attachments seem remarkably constant and lasting even such sots as Thiriot, whom nothing but habit could have endeared to him, he continues, and after repeated injuries, to treat and regard as friends. Of his equals we do not observe him envious, at least not palpably and despicably so; though this, we should add, might be in him, who was from the first so paramountly popular, no such hard attainment. Against Montesquieu, perhaps against him alone, he cannot help entertaining a small secret grudge; yet ever in public he does him the amplest justice; l'Arlequin-Grotius of the fireside becomes, on all grave occasions, the author of the Esprit des Lois. Neither to his enemies, and even betrayers, is Voltaire implacable or meanly vindictive: the instant of their submission is also the instant of his forgiveness; their hostility itself provokes only casual sallies from him; his heart is too kindly, indeed too light, to cherish any rancor, any continuation of revenge. If he has not the virtue to forgive, he is seldom without the prudence to forget: if, in his life-long contentions, he cannot treat his opponents with any magnanimity, he seldom, or perhaps never once, treats them quite basely; seldom or never with that absolute unfairness, which the law of retaliation might so often have seemed to justify. We would say that, if no heroic, he is at all times a perfectly civilized man; which, considering that his war was with exasperated theologians, and a "war to the knife" on their part, may be looked upon as rather a surprising circumstance. He exhibits many minor virtues, a due appreciation of the highest; and fewer faults than, in his situation, might have been expected, and perhaps pardoned.

All this is well, and may fit out a highly expert and muchesteemed man of business, in the widest sense of that term; but is still far from constituting a "great character." In fact,

[blocks in formation]

there is one deficiency in Voltaire's original structure, which, it appears to us, must be quite fatal to such claims for him: we mean his inborn levity of nature, his entire want of Earnestness. Voltaire was by birth a Mocker, and light Pococurante; which natural disposition his way of life confirmed into a predominant, indeed all-pervading habit. Far be it from us to say, that solemnity is an essential of greatness; that no great man can have other than a rigid vinegar aspect of countenance, never to be thawed or warmed by billows of mirth! There are things in this world to be laughed at, as well as things to be admired; and his is no complete mind, that cannot give to each sort its due. Nevertheless, contempt is a dangerous element to sport in; a deadly one, if we habitually live in it. How, indeed, to take the lowest view of this matter, shall a man accomplish great enterprises; enduring all toil, resisting temptation, laying aside every weight,unless he zealously love what he pursues? The faculty of love, of admiration, is to be regarded as the sign and the measure of high souls: unwisely directed, it leads to many evils; but without it, there cannot be any good. Ridicule, on the other hand, is indeed a faculty much prized by its possessors; yet, intrinsically, it is a small faculty; we may say, the smallest of all faculties that other men are at the pains to repay with any esteem. It is directly opposed to Thought, to Knowledge, properly so called; its nourishment and essence is Denial, which hovers only on the surface, while Knowledge dwells far below. Moreover, it is by nature selfish and morally trivial; it cherishes nothing but our Vanity, which may in general be left safely enough to shift for itself. Little "discourse of reason," in any sense, is implied in Ridicule: a scoffing man is in no lofty mood, for the time; shows more of the imp than of the angel. This too when his scoffing is what we call just, and has some foundation on truth; while again the laughter of fools, that vain sound said in Scripture to resemble the "crackling of thorns under the pot" (which they cannot heat, but only soil and begrime), must be regarded, in these latter times, as a very serious addition to the sum of human wretchedness; nor perhaps will it always, when the

"Increase of Crime in the Metropolis" comes to be debated again, escape the vigilance of Parliament as hitherto.

We have, oftener than once, endeavored to attach some meaning to that aphorism, vulgarly imputed to Shaftesbury, which, however, we can find nowhere in his works, that ridicule is the test of truth. But of all chimeras that ever advanced themselves in the shape of philosophical doctrines, this is to us the most formless and purely inconceivable. Did or could the unassisted human faculties ever understand it, much more believe it? Surely, so far as the common mind can discern, laughter seems to depend not less on the laugher than on the laughee and now, who gave laughers a patent to be always just, and always omniscient? If the philosophers of Nootka Sound were pleased to laugh at the manœuvres of Cook's seamen, did that render these manoeuvres useless; and were the seamen to stand idle, or to take to leather canoes, till the laughter abated? Let a discerning public judge.

But, leaving these questions for the present, we may observe at least that all great men have been careful to subordinate this talent or habit of ridicule; nay, in the ages which we consider the greatest, most of the arts that contribute to it have been thought disgraceful for freemen, and confined to the exercise of slaves. With Voltaire, however, there is no such subordination visible: by nature, or by practice, mockery has grown to be the irresistible bias of his disposition; so that for him, in all matters, the first question is, not what is true, but what is false; not what is to be loved, and held fast, and earnestly laid to heart, but what is to be contemned, and derided, and sportfully cast out of doors. Here truly he earns abundant triumph as an image-breaker, but pockets little real wealth. Vanity, with its adjuncts, as we have said, finds rich solacement; but for aught better there is not much. Reverence, the highest feeling that man's nature is capable of, the crown of his whole moral manhood, and precious, like fine gold, were it in the rudest forms, he seems not to understand, or have heard of even by credible tradition. The glory of knowing and believing is all but a stranger to him; only with that of questioning and qualifying is he familiar. Accordingly, he

sees but a little way into Nature: the mighty All, in its beauty, and infinite mysterious grandeur, humbling the small Me into nothingness, has never even for moments been revealed to him; only this or that other atom of it, and the differences and discrepancies of these two, has he looked into and noted down. His theory of the world, his picture of man and man's life, is little; for a Poet and Philosopher, even pitiful. Examine it in its highest developments, you find it an altogether vulgar picture; simply a reflex, with more or fewer mirrors, of Self and the poor interests of Self. "The Divine Idea, that which lies at the bottom of Appearance," was never more invisible to any man. He reads History not with the eye of a devout seer, or even of a critic; but through a pair of mere anti-catholic spectacles. It is not a mighty drama, enacted on the theatre of Infinitude, with Suns for lamps, and Eternity as a background; whose author is God, and whose purport and thousand-fold moral lead us up to the "dark with excess of light" of the Throne of God; but a poor wearisome debating-club dispute, spun through ten centuries, between the Encyclopédie and the Sorbonne. Wisdom or folly, nobleness or baseness, are merely superstitious or unbelieving: God's Universe is a larger Patrimony of St. Peter, from which it were well and pleasant to hunt out the Pope.

In this way, Voltaire's nature, which was originally vehement rather than deep, came, in its maturity, in spite of all his wonderful gifts, to be positively shallow. We find no heroism of character in him, from first to last; nay there is not, that we know of, one great thought in all his six-andthirty quartos. The high worth implanted in him by Nature, and still often manifested in his conduct, does not shine there like a light, but like a coruscation. The enthusiasm, proper to such a mind, visits him; but it has no abiding virtue in his thoughts, no local habitation and no name. There is in him a rapidity, but at the same time a pettiness; a certain violence, and fitful abruptness, which takes from him all dignity. Of his emportemens, and tragi-comical explosions, a thousand anecdotes are on record; neither is he, in these cases, a terrific volcano, but a mere bundle of rockets. He is nigh shooting

« السابقةمتابعة »