 Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which,...  The Union of Architecture, Sculpture, and Painting, Exemplified by a Series ... - الصفحة 46بواسطة John Britton - 1827 - عدد الصفحات: 60عرض كامل - لمحة عن هذا الكتاب
 | 1821 - عدد الصفحات: 304
...Forsyth,) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and...begins, and to which, after a thousand revolutions of ornaments, it again returns ; taking all, I say, into one view, I do not hesitate to call these the... | |
 | Henry Pickering - 1822 - عدد الصفحات: 236
...long obscurity of its mighty ruins. Taking into view their immemorial antiquity, their astonishing no preservation, their grandeur, or rather grandiosity,...hesitate to call these the most impressive monuments that I ever beheld !" The columns of three temples with their broken entablatures and pediments, and... | |
 | Joseph Emerson Worcester - 1823 - عدد الصفحات: 512
...Taking into view their immemorial antiquity, their astonishing preservation, their grandeur, their columnar elevation, at once massive and open, their...begins, and to which, after a thousand revolutions .of ornnment, it again- returns ; taking, I say, all into one view, 1 do not hesitate to call these the... | |
 | 1859 - عدد الصفحات: 270
...(says Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and...begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the... | |
 | 1837 - عدد الصفحات: 244
...grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design—that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns—taking all, I say, into one view, I do not hesitate to call these the... | |
 | 1839 - عدد الصفحات: 246
...(says Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and...begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the... | |
 | Charles Bucke - 1841 - عدد الصفحات: 370
...once massive and open, their severe simplicity of design — that simplicity in which art gradually begins, and to which, after a thousand revolutions of ornament, it again returns — taking all into one view, I do not hesitate to call these the most impressive monuments I ever beheld on earth."... | |
 | Charles Bucke - 1841 - عدد الصفحات: 370
...once massive and open, their severe simplicity of design — that simplicity in which art gradually begins, and to which, after a thousand revolutions of ornament, it again returns — talcing all into one view, I do not hesitate to call these the most impressive monuments I ever... | |
 | 1847 - عدد الصفحات: 198
...grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design—that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns—taking all, I say, into one viej», I do not hesitate to call these the... | |
 | 1851 - عدد الصفحات: 478
...preservation, their grandeur, or rather grandiosity, their bold columnar elevation, at once majestic and open, their severe simplicity of design — that...thousand revolutions of ornament, it again returns — I do not hesitate to call these the most impressive monuments I ever beheld on earth."f The modern... | |
| |
