Poetry and Music in Seventeenth-Century England
Cambridge University Press, 11/12/1997 - 311 من الصفحات
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets of the seventeenth century, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes, and Tomkins. McColley combines close readings of particular poems and musical compositions with engagement in historical controversy about the significance of the arts, their relation to politics, and the reliability of language.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
concent of words and music
N The concinnity of the arts and the church music
The choir in Herberts temple
voices in Miltons choirs
the praise of music
Music poems and iconography for
طبعات أخرى - عرض جميع المقتطفات
according angels anthem beginning Book Byrd calls Cambridge century Chapel choir choral Christ church music collection College Common Complete composers contain David Donne Donne's early earth edition English example experience expressive George Gibbons give glory God's harmony heart heaven Henry Herbert holy human hymns imitate Italy John join kind King King's kiss Lamentations language Latin Lawes light lines liturgy London Lord madrigal Master means Milton mind move natural notes offers organ Oxford perhaps poems poetry poets polyphony praise Prayer Press provides psalms Reformation relation represent response rhythms rising sacred says sense sing singers song soul sound speaking spirit stanza structure sung sweet Tallis thee things third Thomas thou thought tion Tomkins Trinity tune turns University unto verse voice whole words