New Directions in Literary History

art historians artistic attitudes autobiography Baroque become changes characteristic Cleanth Brooks complex comprehension concept consciousness context conventions course cultural discourse distinction dramatic epic essays example expectations experience explain F. R. Leavis fact fiction fictive formal formalist function genre horizon human I. A. Richards Ibid ideas illusion images imagination individual intention interpretation kind language linguistic literary criticism literary history literary text literature Madame Bovary meaning Michael Riffaterre mimesis mimetic mode modern narrative natural utterance Northrop Frye novel object painting past Pesaro Madonna philosophy poem poet poetic poetry possible present problem question R. G. Collingwood reader reading reality relation relationship René Wellek represented seems sense sentence Shakespeare significance simply social specific story structure style stylistic theme theory things tion tradition truth ture understanding verbal visual arts W. K. Wimsatt Wellek Wolfgang Iser words writing York