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" Queen is more apparent. His twelve knights are to exemplify as many virtues, out of which one illustrious character is to be composed. "
The Monthly Review, Or, Literary Journal - الصفحة 93
1763
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Moral and political dialogues: being the substance of several ..., المجلد 3

Richard Hurd (bp. of Worcester.) - 1765 - عدد الصفحات: 362
...this view the part of Prince ARTHUR in each book becomes ejfcntlal, and yet not principal ; exaftly, as the poet has contrived it. They who reft in the literal ftory, that is, who criticize it on the footing of a narrative poem, have conftantly objefted to this management. They...

Moral and Political Dialogues: With Letters on Chivalry and Romance, المجلد 3

Richard Hurd - 1776 - عدد الصفحات: 358
...character is be compofed. And in this view the part of Prince ARTHUR in each book becomes ej/ential, and yet not principal; exactly, as the poet has contrived...it. They who reft in the literal ftory, that is, who criticize it on the footing of a narrative poem, have conftantly objected to this management. They...

Moral and Political Dialogues: With Letters on Chivalry and Romance: by the ...

Richard Hurd - 1776 - عدد الصفحات: 354
...character is be compofed. And in this view the part of Prince ARTHUR in each book becomes effential, and yet not principal; exactly, as the poet has contrived...They who reft in the literal ftory, •that is, who criticize it on the footing of a narrative poem, have conftantly objected to this management. They...

Dialogues VII, VIII. On the uses of foreign travel. Lord Shaftesbury, Mr ...

Richard Hurd - 1788 - عدد الصفحات: 368
...character is to be compofed. And in this view the part of Piince ARTHUR in each book becomes ejfential, and yet not principal; exactly, as the poet has contrived it. They who reft in the literal fiory, that is, v, ho criticize it on the footing of a narrative poem, have conftantly objected to...

First book of the Faerie Queene, canto I-IV

Edmund Spenser - 1805 - عدد الصفحات: 446
...character is to be compofed. And, in this view, the part of Prince Arthur in each Book becomes ej/ential, and yet not principal; exactly, as the poet has contrived...breaks the unity of defign. Prince Arthur, they affirm, VOL. II. 1 fhould cither have had no part in the other adventures, or he mould have had the chief part....

The Works of Edmund Spenser, المجلد 2

Edmund Spenser - 1805 - عدد الصفحات: 448
...character is to be compofed. And, in this view, the part of Prince Arthur in eac^i Book becomes effential, and yet not principal; exactly, as the poet has contrived...conftantly objected to this management. They fay, it necelFarily breaks the unity of defign. Prince Arthur, they affirm, VOL. II. 1 mould either have had...

The Works of Edmund Spenser, المجلد 2

Edmund Spenser - 1805 - عدد الصفحات: 452
...this view, the part of Prince Arthur in each Book becomes effential, and yet not principal ; exafiily, as the poet has contrived it. They who reft in the...conftantly objected to this management They fay, it neceffarily breaks the unity of defign. Prince Arthur, they affirm, VOL. II. 1 (hould either have had...

The Poetical Works of Edmund Spenser: With the Life of the Author ..., المجلد 9

Edmund Spenser - 1807 - عدد الصفحات: 446
...character is to he composed. And, in this view, the part of Prince Arthur in each Book hecomes essential, and yet not principal; exactly, as the poet has contrived it. They ..who rest in the literal story, (hat is, who criticise it on the footii]g~oT"a"narrativc Poem, have constantly...

Moral and political dialogues

Richard Hurd - 1811 - عدد الصفحات: 408
...character is to be composed. And in this view the part of Prince ARTHUR in each book becomes essential, and yet not principal ; exactly, as the poet has contrived it. They who rest in the liter.il LETTE* .... . IP- VIUstory, that is, who criticize it on the tooting of a narrative...

The Poetical Works of Edmund Spenser, المجلد 1

Edmund Spenser - 1839 - عدد الصفحات: 450
...character is to be composed. And, in this view, the part of Prince Arthur in each book becomes essential, and yet not principal, exactly as the poet has contrived it. They who rest in the literal story, that is, who criticise it on the footing of a narrative poem, have constantly...




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