Life as Theater: A Dramaturgical SourcebookDennis Brissett Routledge, 04/09/2017 - 481 من الصفحات Life as Theater is about understanding people and how the dramaturgical way of thinking helps or hinders such understanding. A volume that has deservedly attained the status of a landmark work, this was the first book to explore systematically the material and subject matter of social psychology from the dramaturgical viewpoint. It has been widely used and quoted, and has sparked ferment and debate in fields as diverse as sociology, psychology, anthropology, political science, speech communication, and formal theater studies.Life as Theater is organized around five substantive issues in social psychology: Social Relationships as Drama; The Dramaturgical Self; Motivation and Drama; Organizational Dramas; and Political Dramas. This classic text was revised and updated for a second edition in 1990, and includes approximately 66 percent new materials, all featuring individual introductions that provide the dramaturgical perspective and reflect the most learned thinking and work being done within this point of view. This book's sophistication will appeal to the scholar, and its clarity and conciseness to the student. Like its predecessor, it is designed to serve as a primary text or supplementary reader in classes. This new paperback edition includes an introduction by Robert A. Stebbins that explains why, even fifteen years after its publication,Life as Theater remains the best single sourcebook on the dramaturgic perspective as applied in the social sciences. |
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الصفحة
... concerned, this is accomplished by orienting thought and research, seizing on one or more of the concepts comprising the metaphor and, in effect, converting them into sensitizing concepts (Blumer 1969; Van den Hoonaard 1997). These ...
... concerned, this is accomplished by orienting thought and research, seizing on one or more of the concepts comprising the metaphor and, in effect, converting them into sensitizing concepts (Blumer 1969; Van den Hoonaard 1997). These ...
الصفحة
... concerned. Furthermore, turning to drama itself, scripts are what playwrights, or dramatists, strive to produce. The keen interest of late in narratives as a way of exploring certain aspects of personal and social life marks a direct ...
... concerned. Furthermore, turning to drama itself, scripts are what playwrights, or dramatists, strive to produce. The keen interest of late in narratives as a way of exploring certain aspects of personal and social life marks a direct ...
الصفحة
... concern with understanding parts within wholes, nor “mechanism,” a concern with understanding the forces that move human behavior. Rather its frame of reference is contextualism or pragmatism—a concern for historical events: The root ...
... concern with understanding parts within wholes, nor “mechanism,” a concern with understanding the forces that move human behavior. Rather its frame of reference is contextualism or pragmatism—a concern for historical events: The root ...
الصفحة
... concerned, do not leave him free to select an attitude toward the character he communicates. He does not experience life as theater ... He is constrained to be what he claims ... indeed his need to believe in himself seems even stronger ...
... concerned, do not leave him free to select an attitude toward the character he communicates. He does not experience life as theater ... He is constrained to be what he claims ... indeed his need to believe in himself seems even stronger ...
الصفحة
... authentic, is to ask the unanswerable ontological question that has been debated by generations of philosophers, theologians, and psychologists. To be concerned with the conditions under which selves are plausible is to reckon with.
... authentic, is to ask the unanswerable ontological question that has been debated by generations of philosophers, theologians, and psychologists. To be concerned with the conditions under which selves are plausible is to reckon with.
المحتوى
PART II | |
Concept and Method in the Study of Human | |
Some Notes on the Dramaturgic | |
Process versus Conformity Ralph | |
Role Distance Erving Goffman | |
The Self as a Locus of Linguistic Causality Ernest | |
PART V | |
A Dramaturgical Analysis of | |
Expressive Tactics in Mediation | |
PART VI | |
Environmental Dramaturgy | |
The Presidency and Impression Management Peter | |
An Exercise | |
Political Life | |
A Slightly Revised Version | |
Turndorf | |
An Analysis of Prisoners Responses | |
PART III | |
Situated Actions and Vocabularies of Motive C | |
Burke | |
The Never Ending Show Nicholas Evreinoff | |
Appearances and Reality Gustav Ichheiser | |
INDEX | |
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action activity actor admitters American Sociological Association appearance appropriate audience awareness become behavior Burke character child claim client clothes communication concept concerned conduct context critical cultural definition deniers drama dramaturgical analysis dramaturgical perspective dress Erving Goffman established everyday example expectations expression fact feel fortunetellers funeral George Herbert Mead human important impression management individual individual’s institution interpersonal interview involved Kenneth Burke kind manipulating meaning mediators metaphor moral observation one’s organization participants party patient people’s performance person perspective Peter Blau play political present president Press prisoners problem question rally rape rapists reader reality relations relationship responses ritual role distance role identities sense sexual situation social gathering Social Psychology society stage structure suggest Symbolic Interaction symbolic interactionism theater theatrical theory total institutions University verbal victim vocabularies of motive wife women words Wright Mills York