Life as Theater: A Dramaturgical Sourcebook
Life as Theater is about understanding people and how the dramaturgical way of thinking helps or hinders such understanding. A volume that has deservedly attained the status of a landmark work, this was the first book to explore systematically the material and subject matter of social psychology from the dramaturgical viewpoint. It has been widely used and quoted, and has sparked ferment and debate in fields as diverse as sociology, psychology, anthropology, political science, speech communication, and formal theater studies.Life as Theater is organized around five substantive issues in social psychology: Social Relationships as Drama; The Dramaturgical Self; Motivation and Drama; Organizational Dramas; and Political Dramas. This classic text was revised and updated for a second edition in 1990, and includes approximately 66 percent new materials, all featuring individual introductions that provide the dramaturgical perspective and reflect the most learned thinking and work being done within this point of view. This book's sophistication will appeal to the scholar, and its clarity and conciseness to the student. Like its predecessor, it is designed to serve as a primary text or supplementary reader in classes. This new paperback edition includes an introduction by Robert A. Stebbins that explains why, even fifteen years after its publication,Life as Theater remains the best single sourcebook on the dramaturgic perspective as applied in the social sciences.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
A Dramaturgical Analysis of
Expressive Tactics in Mediation
The Presidency and Impression Management Peter
A Slightly Revised Version
An Analysis of Prisoners Responses
Situated Actions and Vocabularies of Motive C
The Never Ending Show Nicholas Evreinoff
Appearances and Reality Gustav Ichheiser
طبعات أخرى - عرض جميع المقتطفات
action activity actor admitters American Sociological Association appearance appropriate audience awareness become behavior Burke character child claim client clothes communication concept concerned conduct context critical cultural definition deniers drama dramaturgical analysis dramaturgical perspective dress Erving Goffman established everyday example expectations expression fact feel fortunetellers funeral George Herbert Mead human important impression management individual individual’s institution interpersonal interview involved Kenneth Burke kind manipulating meaning mediators metaphor moral observation one’s organization participants party patient people’s performance person perspective Peter Blau play political present president Press prisoners problem question rally rape rapists reader reality relations relationship responses ritual role distance role identities sense sexual situation social gathering Social Psychology society stage structure suggest Symbolic Interaction symbolic interactionism theater theatrical theory total institutions University verbal victim vocabularies of motive wife women words Wright Mills York