The Whole Internal Universe: Imitation and the New Defense of Poetry in British Criticism, 1660-1830

action Addison aesthetic aestheticians Anglo-Scottish critics argues Aristotelian Aristotle artist audience beauty Burke Cambridge capture characters classical Coleridge Coleridge's concept of imitation concern creative critical theory defense delight describes develop Discourses dramatic Dryden effect emotion emphasis English Essay experience expression external faculty fancy feelings genius Gerard Hazlitt human idea of imitation ideal imagery imagination imita imitation of nature inner John John Dryden Johnson kind language Literary Criticism literature London lyric Lyrical Ballads M. H. Abrams Mackail mimesis mimetic mind moral neoclassic neoclassicism objects Oxford painting passions Philosophical Plato pleasure poem Poesy poet poet's poetic poetry poetry's psychological reader reality repre represent representation Reynolds romantic Romanticism Samuel Johnson Samuel Taylor Coleridge says sense Shakespeare Shelley spirit strong sublime sympathy theorists things thought tion tradition truth University Press vital vols Walter Jackson Bate widening William Hazlitt words Wordsworth writes York