 | Samuel Johnson - 1800 - عدد الصفحات: 714
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The- conclusion is likewise... | |
 | Great Britain - 1804 - عدد الصفحات: 716
...dead. Then cold and hot, and moist and dry, In order to their stations leap, . And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing-full in man. The conclusion is likewise... | |
 | Lindley Murray - 1805 - عدد الصفحات: 350
...nature, in which there is scarcely a glimpse of meaning, though it \vas composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Thro'all the compass of the notes it ran, The diapason closing full in man. In general, it may be said,... | |
 | John Dryden - 1808 - عدد الصفحات: 500
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony 10 Through all the compass of the notes it ran, The diapason * closing full in man. i II. What passion... | |
 | John Dryden, Walter Scott - 1808 - عدد الصفحات: 506
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the rotes it ran, The diapason * closing full in man. II. What passion cannot... | |
 | British poets - 1809 - عدد الصفحات: 512
...dead ! Then cold and hot, and moist and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot... | |
 | Lindley Murray - 1809 - عدد الصفحات: 352
...nature, in which there is scarcely a glimpse of meaning, though it was composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to haflnouy Thro'all the compass of the notes it ran, The diapason dosing full in man. In general, it... | |
 | Abraham Cowley - 1810 - عدد الصفحات: 314
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
 | Joseph Addison - 1810 - عدد الصفحات: 312
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
 | Samuel Johnson - 1810 - عدد الصفحات: 476
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began. From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise... | |
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From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. 
