Cross-cultural Performances: Differences in Women's Re-visions of Shakespeare

actors actress aesthetic African African-American alternative Aphra Behn Ariel audience authority Baby beauty Behn's British theater Caliban canon character Cocoa colonial colonialist contemporary critique cultural daughter discourse discussion dominant drama Elishama English essay father female feminism feminist Feminist Criticism figure film gender George Gertrude's Hamlet Hamlet-drama Helen Faucit heroines ideology imagination Imoinda Indian Isak Dinesen Jadine Joan Littlewood literary Literature Littlewood London male Malli Margaret Marianne Novy Miranda Mizo Mizoram Monstrous Regiment Morrison mother Namjoshi narrative narrator novel Ophelia Oroonoko Othello patriarchal performance play's political postcolonial production Prospero Re-Visions of Shakespeare readers Renaissance rewriting role Roman Rosalind Royal Shakespeare Royal Shakespeare Company Runkel scene sexual Shakespeare's play slave social stage story Stratford suggest Tar Baby Tempest Theatre Workshop theatrical tion Titus Andronicus Toni Morrison tradition tragedy University Press Warner's woman women writers Women's Re-Visions Wyman York