...hero or faint he reprefents, though he lets us know at the fame time that the faint was deformed, and the hero lame. * The painter has no other means of...figure to> fentiment and fituation, which all men wiih, but cannot command. The painter, who may in this one particular attainwir!) eafe what others...

...character of dignity is not to be exprefled in the fame manner as a fimilar paffion in a vulgar face. * The painter has no other means of giving an idea of...of figure to fentiment and fituation, which all men wilh, but cannot command. The painter, who may in this one particular attain with eafe what others...

...hero or faint he reprefents, though he lets us know at the fame time that the faint was deformed, and the hero lame. * The painter has no other means of...grandeur of thought does generally, though not always, imprefe on the countenance ; and by that correfpnndence of figure to fentiment and fituation, which...

...character of the hero or saint he represents, though he lets us know at the same time, that the saint was deformed, or the hero lame. The Painter has no...grandeur of thought does generally, though not always, impress on the countenance; and by that correspondence of figure to sentiment and situation, which...

...character of the hero or sajnt he represents, though he lets us know at the same time, that the saint was deformed, or the hero lame. The Painter has no...giving an idea of the dignity of the mind, but by that external,appearance which; grandeur of thought does generally, though not always, impress on the countenance;...

...figures, — as large as life, &c. Dacier's " visoit a la perfection" is nothing to the purpose. f " The painter has no other ,means of giving an " idea...grandeur of thought does generally, " though not always, impress on the countenance; and .« by that correspondence of figure to sentiment and " situation,...

...figures, — as large as life, &c. Dacier's " visoit a la perfection" is nothing to the purpose. • 1 «* The painter has no other means of giving an " idea...appearance which grandeur of thought does generally, «f though not always, impress on the countenance ; and " by that correspondence of figure to sentiment...

...figures, — as large as life, &c. Dacier's " visoit a la perfection" is nothing to the purpose. * " The painter has no other means of giving an " idea of the dignity of the mind, but by that external i' appearance which grandeur of thought does generally, ". though not always, impress on the countenance...

...character of the hero or saint he represents. The painter has no other means of conveying an ideaof the dignity of the mind, but by that external appearance...grandeur of thought does generally, though not always, impress on the countenance; and by that correspondence of figure to sentiment and situation, which...

...character of the hero or saint he represents, though he lets us know at the same time, that the saint was deformed, or the hero lame. The Painter has no...grandeur of thought does generally, though not always, impress on the countenance; and by that correspondence of figure to sentiment and situation, which...