Behind these pillars, which, ominous and black, (He leads him into the back-ground to a trap door, on the right. He descends first himself; and when ADALBERT has followed him, it closes.) SCENE SECOND. Cemetery of the Templars, under the Church. The scene is lighted only by a Lamp which hangs down from the vault. Around are Tombstones of deceased Knights, marked with Crosses and sculptured Bones. In the background, two colossal Skeletons holding between them a large white Book, marked with a red Cross; from the under end of the Book hangs a long black curtain. The Book, of which only the cover is visible, has an inscription in black ciphers. The Skeleton on the right holds in its right hand a naked drawn sword; that on the left holds in its left hand a Palm turned downwards. On the right side of the foreground, stands a black Coffin open; on the left, a similar one with the body of a Templar in full dress of his Order; on both Coffins are inscriptions in white ciphers. On each side, nearer the back-ground, are seen the lowest steps of the stairs, which lead up into the Temple Church above the vault. ARMED MAN (not yet visible; above on the right-hand stairs.) Dreaded! Is the grave laid open? CONCEALED VOICES. ADALBERT. Yea! (Retires hastily.) Then man thee! (Looking up, then shrinking together as with dazzled eyes.) (Leads him to the opposite Coffin where the Body is lying.) Ha! was not that his lightning ?-Fare thee well! I hear the footstep of the Dreaded!-Firm!— ADALBERT (alone) Look down! 'Tis on thy life!-What seest thou? (Shows the Coffin.) ADALBERT. A Coffin with a Corpse. ARMED MAN. Hear: "Corruption is the name of Life." Now look around; go forward,-move, and act!(He pushes him towards the back-ground of the stage.) ADALBERT (observing the Book.) Ha! Here the Book of Ordination !--Seems (Approaching.) As if th' inscription on it might be read. (He reads it.) "Knock four times on the ground, O Heavens! And may I see thee, sainted Agnes? My bosom yearns for thee! And shook the gold into a melting-pot, Anoints him on the chin and brow and cheeks. His nose became a crooked vulture's bill, (With the following words, he stamps four times on the At last his back itself sunk into ashes: ground.) One,-Two,-Three,-Four! (The Curtain hanging from the Book rolls rapidly up, and covers it. A colossal Devil's-head appears between the two Skeletons: its form is horrible; it is gilt; has a huge golden Crown, a Heart of the same in its Brow; rolling flaming Eyes: Serpents instead of Hair: golden Chains round its neck, which is visible to the breast: and a golden Cross, yet not a Crucifix, which rises over its right shoulder, as if crushing it down. The whole Bust rests on four gilt Dragon's feet. At sight of it, ADALBERT starts back in horror, and exclaims :) Defend us! ARMED MAN. Yea! ARMED MAN (touches the Curtain with his sword: it rolls down over the Devil's-head, concealing it again; and abore, as before, appears the Book, but now opened, with white colossal leaves and red characters. The ARMED MAN, pointing constantly to the Book with his Sword, and therewith turning the leaves, addresses ADALBERT, who stands on the other side of the Book, and nearer the foreground.) List to the Story of the Fallen Master. (He reads the following from the Book: yet not standing before it but on one side, at some paces distance, and whilst he reads, turning the leaves with his sword.) And after forty weeks, the Lord returns, And asks where is my temple, Baffometus? He said: There were no stones (but he had sold them For filthy gold;) so wait yet forty days. In forty days thereafter came the Lord, And cried: Where is my temple, Baffometus? Then like a mill-stone fell it on his soul Of thy own seed, who shall redeem thy trespass. The head alone continued gilt and living; (To ADALBERT.) This is the Story of the Fallen Master. ADALBERT (looking at the HEAD.) HEAD (with a hollow voice.) Deliver me! ARMED MAN. Dreaded! Shall the work begin? CONCEALED VOICES. Yea! ARMED MAN (to ADALBERT.) Take the Neckband Away! (Pointing to the HEAD.) ADALBERT. I dare not! HEAD (with a still more piteous tone.) ADALBERT (taking off the chains.) Poor fallen one! ARMED MAN. Now lift the Crown from 's head! It seems so heavy! ARMED MAN. Touch it, it grows light. vellous "Story of the Fallen Master," to shadow forth. At first view, one might take it for ADALBERT (taking off the Crown, and casting it, as he an allegory, couched in masonic language,— did the chains, on the ground.) and truly no flattering allegory,-of the Catholic Church; and this trampling on the Cross, which is said to have been actually enjoined on every Templar at his initiation, to be a type of his secret behest to undermine that Institution, and redeem the spirit of Religion from the state of thraldom and distortion under which it was there held. It is known at least, and was well known to Werner, that the heads of the Templars entertained views, both on religion and politics, which they did not think meet for communicating to their age, and only imparted by degrees, and under mysterious adumbrations, to the wiser of their own Order. They had even publicly resisted, and succeeded in thwarting, some iniquitous measures of Philippe Auguste, the French King, in regard to his coinage; and this, while it secured them the love of the people, was one great cause, perhaps second only to their wealth, of the hatred which that sovereign bore them, and of the savage doom which he at last executed on the whole body. But on these secret principles of theirs, as on Werner's manner of conceiving them, we ADALBERT (taking it from the Bust, and laying it softly are only enabled to guess; for Werner, too, on the ground.) The Cross of the Good Lord that died for me? ARMED MAN. Thou shalt no more believe in one that died; ADALBERT. Take pity on me! ARMED MAN (threatening him with his sword.) ADALBERT. I do 't with shuddering Step! has an esoteric doctrine, which he does not promulgate, except in dark Sybilline enigmas, to the unitiated. As we are here seeking chiefly for his religious creed, which forms, in truth, with its changes, the main thread whereby his wayward, desultory existence attains any unity or even coherence in our thoughts, we may quote another passage from the same First Part of this rhapsody; which, at the same time, will afford us a glimpse of his favourite hero, Robert d'Heredon, lately the darling of the Templars, but now, for some momentary infraction of their rules, cast into prison, and expecting death, or, at best, exclusion from the Order. Gottfried is another (Steps over, and then looks up to the HEAD which raises Templar, in all points the reverse of Robert. itself, as if freed from a load.) How the figure rises ARMED MAN (pointing to the Head with his Sword.) Go to the Fallen-Kiss his lips! -And so on through many other sulphurous pages! How much of this mummery is copied from the actual practice of the Templars we know not with certainty; nor what precisely either they or Werner intended, by this mar ACT FOURTH. SCENE FIRST. (Prison; at the wall a Table. ROBERT, without sword, cap, or mantle, sits downcast on one side of it: GOTTFRIED, who keeps watch by him, sitting at the other.) GOTTFRIED. But how could'st thou so far forget thyself? Thou wert our pride, the Master's friend and favourite! ROBERT. I did it, thou perceivest! GOTTFRIED. How could a word Of the old surly Hugo so provoke thee? ROBERT. Ask not-Man's being is a spider-web: A servant of eternal Destiny, It purifies them from the vulgar dust, Which earthward strives to press the net: But Fate gives sign; the breath becomes a whirlwind, GOTTFRIED. Yet each man shapes his destiny himself. ROBERT. Small soul! Dost thou too know it? Has the story moned forth; and the whole surprising secret of his mission, and of the Valley which appoints it for him, is disclosed. This Friedenthal (Valley of Peace), it now appears, is an immense secret association, which has its chief seat somewhere about the roots of Mount Carmel, if we mistake not; but, comprehending Come down to thee? Dream'st thou, poor Nothingness, in its ramifications the best heads and hearts That thou, and like of thee, and ten times better Than thou or I, can lead the wheel of Fate GOTTFRIED (yawning.) But then the Christian has the joy of Heaven For recompense: in his flesh he shall see God. ROBERT. In his flesh-Now fair befal the journey! (As his eye, by chance, lights on Gottfried, who meanwhile has fallen asleep) -Sound already? This Robert d'Heredon, whose preaching has here such a narcotic virtue, is destined ultimately for a higher office than to rattle his chains by way of lullaby. He is ejected from the Order; not, however, with disgrace and in anger, but in sad feeling of necessity, and with tears and blessings from his brethren; and the messenger of the Valley, a strange, ambiguous, little sylph-like maiden, gives him obscure encouragement, before his departure, to possess his soul in patience; seeing, if he can learn the grand secret of Renunciation, his course is not ended, but only opening on a fairer scene. Robert knows not well what to make of this; but sails for his native Hebrides, in darkness and contrition, as one who can do no other. In the end of the Second Part, which is represented as divided from the First by an interval of seven years, Robert is again sum of every country, extends over the whole civilized world; and has, in particular, a strong body of adherents in Paris, and indeed a subterraneous, but seemingly very commodious suite of rooms, under the Carmelite Monastery of that city. Here sit in solemn conclave the heads of the Establishment; directing from their lodge, in deepest concealment, the principal movements of the kingdom: for William of Paris, Archbishop of Sens, being of their number, the king and his other ministers, fancying within themselves the utmost freedom of action, are nothing more than puppets in the hands of this all-powerful Brotherhood, which watches, like a sort of Fate, over the interests of mankind, and by mysterious agencies, forwards, we suppose, "the cause of civil and religious liberty over all the world." It is they that have doomed the Templars; and, without malice or pity, are sending their leaders to the dungeon and the stake. That knightly Order, once a favourite minister of good, has now degenerated from its purity, and come to mistake its purpose, having taken up politics and a sort of radical reform; and so must now be broken and reshaped, like a worn implement, which can no longer do its appointed work. Such a magnificent "Society for the Suppression of Vice" may well be supposed to walk by the most philosophical principles. These Friedenthalers, in fact, profess to be a sort of Invisible Church; preserving in vestal purity the sacred fire of religion, which burns with more or less fuliginous admixture in the worship of every people, but only with its clear sidereal lustre in the recesses of the Valley. They are Bramins on the Ganges, Bonzes on the Hoangho, Monks on the Seine. They addict themselves to contemplation, and the subtilest study; have penetrated far into the mysteries of spiritual and physical nature; they command the deep-hidden virtues of plant and mineral; and their sages can discriminate the eye of the mind from its sensual instruments, and behold, without type or material embodyment, the essence of Being. Their activity is all-comprehending and unerringly calculated: they rule over the world by the authority of wisdom over ignorance. A In the Fifth Act of the Second Part, we are at length, after many a hint and significant note of preparation, introduced to the privacies of this philosophical Sainte Hermandad. strange Delphic cave this of theirs, under the very pavements of Paris! There are brazen folding doors, and concealed voices, and sphinxes, and naptha-lamps, and all manner of wondrous furniture. It seems, moreover, to be a sort of gala evening with them; for the "Old Man of Carmel, in eremite garb, with a long beard reaching to his girdle," is for a moment discovered "reading in a deep monoto nous voice." The “Strong Ones,” meanwhile, | are out in quest of Robert d'Heredon; who, by cunning practices, has been enticed from his Hebridean solitude, in the hope of saving Molay, and is even now to be initiated, and equipped for his task. After a due allowance of pompous ceremonial, Robert is at last ushered in, or rather dragged in; for it appears that he has made a stout debate, not submitting to the customary form of being ducked, an essential preliminary, it would seem,―till compelled by the direst necessity. He is in a truly Highland anger, as is natural: but by various manipulations and solacements, he is reduced to reason again, finding, indeed, the fruitlessness of any thing else; for when lance and sword and free space are given him, and he makes a thrust at Adam of Valincourt, the master of the ceremonies, it is to no purpose: the old man has a torpedo quality in him, which benumbs the stoutest arm; and no death issues from the baffled sword-point, but only a small spark of electric fire. With his Scottish prudence, Robert, under these circumstances, cannot but perceive that quietness is best. The people hand him, in succession, the "Cup of Strength," the "Cup of Beauty," and the "Cup of Wisdom;" liquors brewed, if we may judge from their effect, with the highest stretch of Rosicrucian art; and which must have gone far to disgust Robert d'Heredon with his natural usquebaugh, however excellent, had that fierce drink been in use then. He rages in a fine frenzy; dies away in raptures; and then, at last, "considers what he wanted and what he wants." Now is the time for Adam of Valincourt to strike in with an interminable exposition of the "objects of the society." To not unwilling, but still cautious ears, he unbosoms himself, in mystic wise, with extreme copiousness; turning aside objections like a veteran disputant, and leading his apt and courageous pupil, by signs and wonders, as well as by logic, deeper and deeper into the secrets of theosophic and thaumaturgic science. A little glimpse of this our readers may share with us; though we fear the allegory will seem to most of them but a hollow nut. Nevertheless, it is an allegory-of its sort; and we can profess to have translated with entire fidelity. ADAM. Thy riddle by a second will be solved, Behold this Sphinx! Half-beast, half-angel, both (The door on the right hand opens, and, in the space behind it appears, as before, the OLD MAN OF CARMEL, sitting at a Table, and reading in a large Volume. The deep strokes of a Bell are heard.) OLD MAN OF CARMEL (reading with a loud but still monotonous voice.) "And when the Lord saw Phosphoros " ROBERT (interrupting him.) A story as of Baffometus ? Ha! Again ADAM. Not so. That tale of theirs was but some poor distortion OLD MAN (reading.) "And when the Lord saw Phosphoros his pride, The Lord moreover spake: Because thou hast forgotten And thou shalt be his slave, and have no longer "And when the Lord had spoken, he drew back "But when his first-born Sister saw his pain, "Then did the Lord in pity rend asunder "But yet the Azure Chains she could not break, Behold his Birthplace ?-Wherefore Mythras answer'd: Light: Shall he my last-born grandchild lie for ever "Then the Mother's heart was moved with pity, *Mylitta, in the old Persian mysteries, was the name of the Moon; Mythras that of the Sun. |