General Consent in Jane Austen: A Study of Dialogism

الغلاف الأمامي
McGill-Queen's Press - MQUP, 2000 - 160 من الصفحات
General Consent in Jane Austen examines the "early" and "late" novels as well as the juvenilia in the light of three paradigms: "The Other Heroine" focuses on voices that challenge and compete with the central heroines, "Cameo Appearances" examines buried past narratives, and "Investigating Crimes" explores acts of violence. These three avenues into dialogic space destabilize conventional readings of Austen. The Bakhtinian model that structures this book is not one of linearity and balance but one of conflict, simultaneity, and multiplicity. While some novels fit into only one paradigm, others incorporate more than one; Mansfield Park receives the most attention. A bold and provocative study, General Consent in Jane Austen will be of interest not only to Austen scholars but to scholars of literary theory and dialogism.
 

المحتوى

VI
27
VII
38
VIII
47
X
55
XI
59
XII
67
XIII
76
XIV
85
XVII
95
XVIII
116
XX
127
XXI
133
XXII
139
XXIII
143
XXIV
155
حقوق النشر

XVI
93

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة 6 - Dickinson produced literary works that are in some sense palimpsestic, works whose surface designs conceal or obscure deeper, less accessible (and less socially acceptable) levels of meaning.
الصفحة 11 - ... the individual is interpellated as a (free) subject in order that he shall submit freely to the commandments of the Subject, ie in order that he shall (freely) accept his subjection, ie in order that he shall make the gestures and actions of his subjection 'all by himself.

نبذة عن المؤلف (2000)

Barbara K. Seeber is assistant professor in the Department of English Language and Literature at Brock University.

معلومات المراجع