Tonal Structures in Early MusicCristle Collins Judd Routledge, 23/04/2014 - 415 من الصفحات Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives. |
المحتوى
| 3 | |
| 12 | |
| 15 | |
Exploring Tonal Structure in French Polyphonic Song of | 61 |
Internal and External Views of the Modes | 87 |
Josquins Gospel Motets and ChantBased Tonality | 109 |
Tonal Coherence and the Cycle of Thirds in Josquins | 155 |
Concepts of Pitch in English Music Theory c 15601640 | 183 |
Concepts of Key in SeventeenthCentury English Keyboard Music | 247 |
Harold Powers | 275 |
Tonal Types and Modal Equivalence in Two Keyboard Cycles | 341 |
Bibliography | 373 |
Contributors | 395 |
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according analysis appears approach associated authentic Bathe beginning cadence called Campion cantus century church close Coherence composers composition concept concludes context counterpoint critical described discussion distinction early music edition eight English erat example explain fifth FIGURE final flat four fourth function given gospel grammar harmonic hexachords historical illustrate intervals Introduction Josquin language listener major means melodic minor modal mode Morley motet names notation notes observed octave opening organ pars particular perfect performance phrase piece pitch polyphony Powers practice present principio provides psalm tone reading reciting relationships repertory represent rules scale sense sharp shows signature solmization song sonority sound sources species suggests syllables tenor theorists theory third tion tonal structure tonal types traditional treatise tune understanding verse voice