For Books of the Bible, or any portions of them, see above, Literary Index to the Bible.
For Literary Forms (Prophecy,' 'Epic,' 'Lyric,' &c.), or subdivisions of these (such as 'Emblem Prophecy,'' Dramatic Lyrics,' &c.), see above, Appendix II.
Augmenting as a mode of Lyric movement: 143, compare 169, 448 — as a metrical elaboration: 550- Augmenting Duplication: 552-4. Authorised Version' of the Bible: 45, 46, 84-92. Authorship not an element in literary study: 96-7-in application to Bib- lical poetry: 97-100.
Ballad Dance as a primitive literary form: 79-82.- War Ballads: (Ta- ble) 515.
Benedictions: 197. Blessing as a form of Prophetic litera- ture: 284-5 and (Table) 522. Burden: 364 and (Table) 522.
Call (Prophetic): 380 and (Table) 523. Cardinal Points, The Four, of Litera- ture: 75-6.
Centric Printing: 528 (note). Ceremonial Worship a prototype of
Emblem Prophecy: 377. Chorus, Characterised: Of Nations, 406, 448-Of Elders, 418-9 — Ce- lestial, 446-48-Of Watchmen, 448, 453-as an element of Rhapsodic dialogue: 410.
Chorus, Impersonal, as an element in Rhapsodic dialogue: 410-illustra- tions: 124-8, 419, 422, 440, 442, 443, 445, 449, 452.
Chorus, Reciting, in Solomon's Song: 209.
Climax and Crescendo as devices of
Lyric movement: 72, 154, 155, 157, 169 as an effect in Lyric Prophecy : 369.
Cluster of Prophetic Sentences: 460. Cluster of Proverbs: 299 and (Table) 519.
Colophon in Ecclesiasticus: 326 — in
Deuteronomy: 482. Commandments, The Ten, as proto- type of the Prophetic Discourse: 365.
Comment, Text and, as a literary
form: 297-applied to Wisdom, 341-2.
Concentration as a mode of Lyric
movement: 136, 153. Conclusions in antistrophic and stanza structure: 52, 543. Constitutional History: 251-2. Contrast (or Antithesis) as a mode of Lyric development: 179, 95, 101, 155-7.
Dirge as prototype of Elegy: 151, | Enumeration as a mode of Lyric de-
167 Dirge Rhythm: 168, 369, 400. Discourse: Wisdom Discourses, 506, 341 and Chapter XV - Prophetic, 364 and (Table) 522- Rhapsodic, 429 and (Table) 524.
Divine Intervention in Job: 22-4, 34-5.
Doom Form: 123 and Chapter XVII;
Doom Songs: Chapter XVII and (Table) 522.
Doxologies: 111, 444 (note 2). Drama as one of the six fundamental
literary forms: 78, 80.- Hebrew lit- erature shows dramatic influences rather than drama, 108-9; compare 423 and Chapter XVIII. — Dramatic Interest in Job, 25–7.
Dramatic Lyrics: 185 and (Table) 515. Dramatic Monologue: 316 and (Table) 521.
Dramatic Transition as a mode of Lyric movement: 92-4, 188-90 (compare 194–5) - - as an effect in Prophetic literature: 423-8, 406. Dumb Show in Prophecy: 374. Duplication as a metrical elaboration: 550-4 Augmenting Duplication: 552-4 Antistrophic Duplication: 552.
Ecclesiastical History: 255-9.
velopment: 204. (See Reitera- tion.) In Rhetoric style: 335, 351, 399. Envelope Figure (or Structure): 56-8, 543 compare 65, 66, 92-4-En- veloping Vision: 466–7.
Epic as one of the six fundamental literary forms: 79-81 - question of Epic Poetry in the Bible, 227- Epic and History, 227 - Epic In- terest in Job, 28–30.
Epic, Various forms of: 229-49 and (Table) 518.
Epic Idyl: 241 and (Table) 525, 518. Epic Prophecy: 244 and (Table) 518. Epigram: 294 and (Table) 521. Epilogue: 338, 428. Epistle Gnomic, 321-2, 327-9— Epistolary Manifesto, 266-7— Pas- toral Epistle, 263-5- Epistolary Treatise, 265-6-Table of Episto- lary Literature, 525.
Essay: 298-306 and (Table) 520. Exile Songs: 60, 168, 165-7.
Fable: Table on page 519- compare 382 and note.
Festal Hymns: 197 and (Table) 515. Floating Poetry: 97-100.
Folk Songs: Table on page 514- compare 64-5, 322.
Footnotes in Deuteronomy: 269.
Elaboration, Structural: 543-55. [See Form and Matter, close connection of,
under Metrical System.] Elegies: 167 and (Table) 514. Emblem Literature: 372-Quarles's emblems, 372.
Emendation, Textual: 59 (note) — compare 17-8, 486 (note), 310 (notes).
in literary study: 74-5 - The High- er Literary Forms, 75 and Chapter III- The Lower or Fundamental Literary Form of Versification, 45 and Chapter I-Doom Form, 123 and Chapter XVII; compare 543.
Encomium Rhetoric: 315-6 and Gnomic Epistles: 321-2, 327-9, and (Table) 520. Enlargement, Parenthetic, as a met- Gospels as a literary form: 256-7 and rical elaboration: 549-50. (Table) 517.
History as one of the six fundamental Judgment: force of the word in O. literary forms: 81.
T.: 338-as a motive in Lyric poetry: see Table on page 514- in Prophetic literature: Book VI generally-especially 404 and Chap- ter XVIII, 438, 453-6.
Lamech, Song of: 64. Lamentations of Jeremiah: 168. Leads in antistrophic or stanza struc- ture: 544-5.
Lectionary, Revised: 46. Line, The, as a metrical unit: 530. Litanies: 183.
Liturgies: 198-201 and (Table) 515. Lord's Prayer, The, as an envelope figure: 65-6.
Idyl as a literary form: 208 (note), and (Table) 535 — Solomon's Song, 207 and Chapter VIII — Ruth, 241. Imagery as a mode of Lyric develop- ment: 171-9, 86, 204 — massing of imagery, 171-3 (compare 475-6) — Concealed Imagery, 173-7— Meta-Lyric as one of the six fundamental phor Direct, 177–9. Imprecatory Psalms: 182.
Inauguration of Jerusalem, Anthems for: 104-8, 159–61.
Incident: in History, 229-in Proph-
ecy, 384 and (Table) 524. Incidental History: 252-4. Inquiry, Prophetic: 383, 375, and (Table) 524.
literary forms: 78-81- Lyric Poe- try of the Bible: Book II-Lyric movement or development: see Movement. Lyric elements in Rhapsodic dialogue, 410- Lyric Outbursts in Prophecy, 124-8, 406, 418-22, 440-5, 452- Lyric Interest in Job, 31-2.
Lyric Prophecy: 369 and (Table) 522.
Intercession as Prophetic prototype: Lyrics, Prophetic: 369 and (Table) 383.
Intercourse, Prophetic: 383 and Lyric types, earlier and later: 151-2 -three sources of Lyric poetry,
Interlacing (or Interweaving) Paral-
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