For Books of the Bible, or any portions of them, see above, Literary Index to the
Bible.
For Literary Forms (Prophecy,' 'Epic,' 'Lyric,' &c.), or subdivisions of these
(such as 'Emblem Prophecy,'' Dramatic Lyrics,' &c.), see above, Appendix II.
Augmenting as a mode of Lyric
movement: 143, compare 169, 448
— as a metrical elaboration: 550-
Augmenting Duplication: 552-4.
Authorised Version' of the Bible:
45, 46, 84-92.
Authorship not an element in literary
study: 96-7-in application to Bib-
lical poetry: 97-100.
Ballad Dance as a primitive literary
form: 79-82.- War Ballads: (Ta-
ble) 515.
Benedictions: 197.
Blessing as a form of Prophetic litera-
ture: 284-5 and (Table) 522.
Burden: 364 and (Table) 522.
Call (Prophetic): 380 and (Table) 523.
Cardinal Points, The Four, of Litera-
ture: 75-6.
Centric Printing: 528 (note).
Ceremonial Worship a prototype of
Emblem Prophecy: 377.
Chorus, Characterised: Of Nations,
406, 448-Of Elders, 418-9 — Ce-
lestial, 446-48-Of Watchmen, 448,
453-as an element of Rhapsodic
dialogue: 410.
Chorus, Impersonal, as an element in
Rhapsodic dialogue: 410-illustra-
tions: 124-8, 419, 422, 440, 442,
443, 445, 449, 452.
Chorus, Reciting, in Solomon's Song:
209.
Climax and Crescendo as devices of
Lyric movement: 72, 154, 155, 157,
169 as an effect in Lyric Prophecy :
369.
Cluster of Prophetic Sentences: 460.
Cluster of Proverbs: 299 and (Table)
519.
Colophon in Ecclesiasticus: 326 — in
Deuteronomy: 482.
Commandments, The Ten, as proto-
type of the Prophetic Discourse:
365.
Comment, Text and, as a literary
form: 297-applied to Wisdom,
341-2.
Concentration as a mode of Lyric
movement: 136, 153.
Conclusions in antistrophic and stanza
structure: 52, 543.
Constitutional History: 251-2.
Contrast (or Antithesis) as a mode of
Lyric development: 179, 95, 101,
155-7.
Dirge as prototype of Elegy: 151, | Enumeration as a mode of Lyric de-
167 Dirge Rhythm: 168, 369, 400.
Discourse: Wisdom Discourses, 506,
341 and Chapter XV - Prophetic,
364 and (Table) 522- Rhapsodic,
429 and (Table) 524.
Divine Intervention in Job: 22-4,
34-5.
Doom Form: 123 and Chapter XVII;
Doom Songs: Chapter XVII and
(Table) 522.
Doxologies: 111, 444 (note 2).
Drama as one of the six fundamental
literary forms: 78, 80.- Hebrew lit-
erature shows dramatic influences
rather than drama, 108-9; compare
423 and Chapter XVIII. — Dramatic
Interest in Job, 25–7.
Dramatic Lyrics: 185 and (Table) 515.
Dramatic Monologue: 316 and (Table)
521.
Dramatic Transition as a mode of
Lyric movement: 92-4, 188-90
(compare 194–5) - - as an effect in
Prophetic literature: 423-8, 406.
Dumb Show in Prophecy: 374.
Duplication as a metrical elaboration:
550-4 Augmenting Duplication:
552-4 Antistrophic Duplication:
552.
Ecclesiastical History: 255-9.
velopment: 204. (See Reitera-
tion.) In Rhetoric style: 335,
351, 399.
Envelope Figure (or Structure): 56-8,
543 compare 65, 66, 92-4-En-
veloping Vision: 466–7.
Epic as one of the six fundamental
literary forms: 79-81 - question of
Epic Poetry in the Bible, 227-
Epic and History, 227 - Epic In-
terest in Job, 28–30.
Epic, Various forms of: 229-49 and
(Table) 518.
Epic Idyl: 241 and (Table) 525, 518.
Epic Prophecy: 244 and (Table) 518.
Epigram: 294 and (Table) 521.
Epilogue: 338, 428.
Epistle Gnomic, 321-2, 327-9—
Epistolary Manifesto, 266-7— Pas-
toral Epistle, 263-5- Epistolary
Treatise, 265-6-Table of Episto-
lary Literature, 525.
Essay: 298-306 and (Table) 520.
Exile Songs: 60, 168, 165-7.
Fable: Table on page 519- compare
382 and note.
Festal Hymns: 197 and (Table) 515.
Floating Poetry: 97-100.
Folk Songs: Table on page 514-
compare 64-5, 322.
Footnotes in Deuteronomy: 269.
Elaboration, Structural: 543-55. [See Form and Matter, close connection of,
under Metrical System.]
Elegies: 167 and (Table) 514.
Emblem Literature: 372-Quarles's
emblems, 372.
Emendation, Textual: 59 (note) —
compare 17-8, 486 (note), 310
(notes).
in literary study: 74-5 - The High-
er Literary Forms, 75 and Chapter
III- The Lower or Fundamental
Literary Form of Versification, 45
and Chapter I-Doom Form, 123
and Chapter XVII; compare 543.
Encomium Rhetoric: 315-6 and Gnomic Epistles: 321-2, 327-9, and
(Table) 520.
Enlargement, Parenthetic, as a met- Gospels as a literary form: 256-7 and
rical elaboration: 549-50.
(Table) 517.
History as one of the six fundamental Judgment: force of the word in O.
literary forms: 81.
T.: 338-as a motive in Lyric
poetry: see Table on page 514-
in Prophetic literature: Book VI
generally-especially 404 and Chap-
ter XVIII, 438, 453-6.
Lamech, Song of: 64.
Lamentations of Jeremiah: 168.
Leads in antistrophic or stanza struc-
ture: 544-5.
Lectionary, Revised: 46.
Line, The, as a metrical unit: 530.
Litanies: 183.
Liturgies: 198-201 and (Table) 515.
Lord's Prayer, The, as an envelope
figure: 65-6.
Idyl as a literary form: 208 (note),
and (Table) 535 — Solomon's Song,
207 and Chapter VIII — Ruth, 241.
Imagery as a mode of Lyric develop-
ment: 171-9, 86, 204 — massing of
imagery, 171-3 (compare 475-6) —
Concealed Imagery, 173-7— Meta-Lyric as one of the six fundamental
phor Direct, 177–9.
Imprecatory Psalms: 182.
Inauguration of Jerusalem, Anthems
for: 104-8, 159–61.
Incident: in History, 229-in Proph-
ecy, 384 and (Table) 524.
Incidental History: 252-4.
Inquiry, Prophetic: 383, 375, and
(Table) 524.
literary forms: 78-81- Lyric Poe-
try of the Bible: Book II-Lyric
movement or development: see
Movement. Lyric elements in
Rhapsodic dialogue, 410- Lyric
Outbursts in Prophecy, 124-8, 406,
418-22, 440-5, 452- Lyric Interest
in Job, 31-2.
Lyric Prophecy: 369 and (Table) 522.
Intercession as Prophetic prototype: Lyrics, Prophetic: 369 and (Table)
383.
Intercourse, Prophetic: 383 and Lyric types, earlier and later: 151-2
-three sources of Lyric poetry,
Interlacing (or Interweaving) Paral-
|