The Histrionic Sensibility: Theatricality and Identity from Corneille to Rousseau

actor allows appearance authority becomes bien c'est called century characters Cinna claims comes consequences construction Corneille Corneille's course court creates dans depends desire display double effect eighteenth entire être fact faire fait fiction figure final French function grand hand histrionic homme identifies identity idiom important individual Jacob king legislator literary Marivaux's master Meilcour mirror Molière monde narrative narrator novel once oneself operation Paris performance play plot political possible presents prince puts qu'il qu'on question reader reading reflected relationship result Rodrigue role Roman Rousseau scene seduction seul shows situation social society someone sort space speak spectacle spectator stage stands status story takes tells theatre theatrical Thomas tion tout turn virtual vous witness