Natural Fictions: George Chapman's Major TragediesUniversity of Delaware Press, 1992 - 193 من الصفحات Natural Fictions is a theatrical and historical study of the principal tragedies written by George Chapman during the first decade of King James I's reign in England. Each chapter considers the theatrical and literary qualities of the respective plays and examines the historical sources used by Chapman. |
المحتوى
9 | |
11 | |
13 | |
15 | |
Spirit to Dare and Power to Do The Two Worlds of Bussy DAmbois | 31 |
War and Peace in The Conspiracy of Charles Duke of Byron | 56 |
Rare Virtues and Their Impair in The Tragedy of Charles Duke of Byron | 81 |
Free and Fast The Perspectives of Chabot Admiral of France | 106 |
Coherents for the Time | 126 |
Appendix | 143 |
Notes | 153 |
Bibliography | 178 |
187 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Admiral of France allusions artistic audience Bussy D'Ambois Bussy's Byron Byron plays Byron's Tragedy Cambridge Carr Chabot Chancellor Chap characters claims Conspiracy and Tragedy contemporary corruption court courtiers Critical death dedication dramatic dramatist Duke of Byron Edited Elizabethan English Epernon Essex eternal example experience Fin's Francis Francis's George Chapman Grimeston hath heaven Henry Henry's Hercules Hero and Leander hero's heroic Hesiod Homer honor human Iliads interpretation Jacobean John Jonson justice King King's lines London Machiavellian masque meaning metaphor modern Monsieur Montmorency moral nature Neoplatonic Parrott passion peace philosophy play's Poems poet poet's poetic poetry poetry's political Prince Renaissance Renaissance Drama Revenge of Bussy royal Savoy scene Sejanus Shakespeare soul speech spirit Stoicism T. M. Parrott Tamyra theory Thomas Thomas Walsingham tion Tragedy of Chabot Tragedy of Charles tragic traitor trans translation treason true truth University Press valor virtue
مقاطع مشهورة
الصفحة 12 - Once the Author is removed, the claim to decipher a text becomes quite futile. To give a text an Author is to impose a limit on that text, to furnish it with a final signified, to close the writing.