Andrei Codrescu and the Myth of America

الغلاف الأمامي
McFarland, 17‏/09‏/2014 - 216 من الصفحات

"This is one of those times, a time choked in the weeds of academic and civilian formalism. To put it mildly, most of what we see in print in North America is unbearably trivial and singularly devoid of courage."--Andrei Codrescu, The Disappearance of the Outside.

Known to the general public as a radio commentator on National Public Radio, Romanian-born essayist and poet Andrei Codrescu has developed a variety of voices throughout his career: Transylvanian humorist on NPR, surrealist poet in his many volumes of poetry, academic essayist in his philosophical writings and historical novelist. Taking seemingly everyday events in seemingly mundane places, Codrescu is able to link the random details into a larger whole, leading his readers and listeners to conclusions very different from those they first imagined. This work explores Codrescu's writings and how they are a part of the surrealist tradition. It examines the ways in which his poetry, essays and novels are influenced by his upbringing in Communist Romania and the liberal attitudes he encountered upon moving to the United States, and draws comparisons between Codrescu and other surrealists. An interview with the author is also included.

من داخل الكتاب

الصفحات المحددة

المحتوى

A Foreword by Andrei Codrescu
1
Preface
3
CodrescuBenjamin Surreal Urbanism
7
The 60s
23
Nietzsche
26
Codrescu as Surrealist Citizen?
35
Codrescus Ars Vita
44
Fouriers City
51
The Investigative Poets
100
The Family
121
Ceausescu
125
The Blood Countess
139
The Return of Paganism
145
Conclusion
152
Andrei Codrescu from a Romanian
159
Five Interviews with Codrescu
170

Detroits Demise
56
Road Scholar
64
Nietzsche in Detroit
78
PolisPolice
90
Works by Codrescu
189
General Bibliography
195
Index
203
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة 93 - Let us wage a war on totality; let us be witnesses to the unpresentable; let us activate the differences and save the honor of the name.
الصفحة 14 - Only when in technology body and image so interpenetrate that all revolutionary tension becomes bodily collective innervation, and all the bodily innervations of the collective become revolutionary discharge, has reality transcended itself to the extent demanded by the Communist Manifesto.
الصفحة 119 - Only toward as good as itself and toward the like of itself will it advance half-way. ;An individual is as superb as a nation when he has the qualities which make a superb nation. The soul of the largest and wealthiest and proadest nation may well go half-way to meet that of its poets. The signs are effectual. There is no fear of mistake. If the one is true the other is true.
الصفحة 119 - The soul of the largest and wealthiest and proudest nation may well go half-way to meet that of its poets. The signs are effectual. There is no fear of mistake. If the one is true the other is true. The proof of a poet is that his country absorbs him as affectionately as he has absorbed it.
الصفحة 149 - The nineteenth and twentieth centuries have given us as much terror as we can take. We have paid a high enough price for the nostalgia of the whole and the one, for the reconciliation of the concept and the sensible, of the transparent and the communicable experience.
الصفحة 28 - It puts the poem squarely between the poet and the person, Lucky Pierre style, and the poem is correspondingly gratified. The poem is at last between two persons instead of two pages.
الصفحة 45 - But the intention to convince is merely apparent, for nothing is in fact more alien to the sadist than the wish to convince, to persuade, in short to educate. He is interested in something quite different, namely to demonstrate that reasoning itself is a form of violence, and that he is on the side of violence, however calm and logical he may be.
الصفحة 28 - I'm not saying that I don't have practically the most lofty ideas of anyone writing today, but what difference does that make? they're just ideas. The only good thing about it is that when I get lofty enough I've stopped thinking and that's when refreshment arrives.

مراجع لهذا الكتاب

Studies in American Humor

عرض مقتطف - 2006

نبذة عن المؤلف (2014)

Kirby Olson is associate professor of humanities at the State University of New York in Delhi. He is the editor of To Wit: Official Newsletter of the American Humor Studies Association.

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