StylisticsOUP Oxford, 28/03/2002 - 124 من الصفحات This book deals with the study of style in language, how styles can be recognized, and their features. It examines how style is used in literary and non-literary texts, and how familiarity with style is a matter of socialization. The author also discusses the relationship between text and discourse, the production and reception of meaning as a dynamic contextualized interaction, the question of perspective and the variable representation of reality, and how stylistics can complement literary criticism. The final chapter deals with social reading and ideological positioning, including some thoughts on feminist stylistics and critical discourse analysis. |
المحتوى
The concept of style | 3 |
a newspaper headline | 4 |
Style as motivated choice | 5 |
Style in context | 6 |
Style and persuasive effect | 7 |
Conclusion | 9 |
Style in literature | 11 |
Text type and function | 12 |
Given and new information | 37 |
Ideological perspective | 38 |
Conclusion | 40 |
The language of literary representation | 41 |
Speech and thought representation | 45 |
Conclusion | 53 |
Perspectives on literary interpretation | 55 |
Interpreting a complete poem | 57 |
Conclusion | 16 |
Text and discourse | 17 |
The nature of discourse | 18 |
Textual and contextual meaning | 19 |
The headline revisited | 20 |
The context of literary discourse | 21 |
The communicative situation in literary discourse | 22 |
Conclusion | 27 |
Perspectives on meaning | 29 |
Perspective in narrative fiction | 30 |
Stylistic markers of perspective and positioning | 34 |
Deixis | 35 |
Substantiation by analysis | 58 |
Literary interpretation revisited | 62 |
Conclusion | 64 |
Stylistics and ideological perspectives | 67 |
Social reading and ideological positioning | 68 |
Incorporation of literary criticism into linguistic criticism? | 74 |
Conclusion | 78 |
Readings | 79 |
References | 109 |
Glossary | 117 |
عبارات ومصطلحات مألوفة
addressee artistic blurb Chapter character character's choice clause consider context course critical discourse analysis Dalloway deictics deixis described discussion distinctive emotions enjambment example experience expression extract feminist stylistics fictional world first-person narrator focalization foregrounded free indirect speech genre grammar ideological perspective ideological positioning indirect speech infer intertextual John Betjeman kind lexical lines literary criticism literary discourse literary effect literary texts look Maggie Malcolm Coulthard Margaret Atwood meaning narrative narrator's nice and cool non-literary texts novel particular pattern PAUL SIMPSON person PETER VERDONK Philip Larkin phrases poem poetry point of view pragmatic pronoun reader reading reality reference representation represented rhetoric RONALD CARTER Routledge schema schemata Seamus Heaney semantic sense sentence significance social speaker speech and thought story stream of consciousness structure style stylistic analysis suggest syntax text type textual features things third-person tion trees verb verbal WALTER NASH words writer