 | 1862 - عدد الصفحات: 296
...have to do. SECOND GROUP. THE ROCK FOUNDATIONS, SWITZERLAND, 1800-1810. 7. AKE OF THUN FROM NEUHAUS. The Niesen dark in centre; the group of the Stockhorn...spot, a part of one. But he rarely painted on the spot ; — he looked, gathered, considered ; — then painted the sum of what he had gained, up to... | |
 | John Ruskin - 1878 - عدد الصفحات: 308
...SECOND GROUP. THE ROCK FOUNDATIONS, SWITZERLAND, 1800-1810. 7. T AKE OF THUN FROM NEUHAUS. •*•*' The Niesen dark in centre; the group of the Stockhorn...spot, a part of one. But he rarely painted on the spot ; — he looked, gathered, considered ; — then painted the sum of what he had gained, up to... | |
 | William Cosmo Monkhouse - 1879 - عدد الصفحات: 176
...shown by Mr. Hamerton, and Mr. Buskin says, " Observe generally, Turner never, after this time, 1800, drew from nature without composing. His lightest pencil...picture, his completest study on the spot a part of one." Of this period, 1800-1810, Mr. Ruskin says, "His manner is stern, reserved, quiet, grave in colour,... | |
 | William Cosmo Monkhouse - 1879 - عدد الصفحات: 192
...shown by Mr. Hamerton, and Mr. Buskin says, " Observe generally, Turner never, after this time, 1800, drew from nature without composing. His lightest pencil sketch was the plan of a picture, his cqmpletest study on the spot a part of one." Of this period, 1800-1810, Mr. Ruskin says, "His manner... | |
 | 1880 - عدد الصفحات: 938
...Mr. Euskin says of Turner, speaking of the painter's work in Switzerland, done between 1800 and 1810, "and observe, generally, Turner never, after this...spot, a part of one. But he rarely painted on the spot ; he looked, gathered, considered ; then painted the sum of what he had gained, up to the point... | |
 | 1880 - عدد الصفحات: 938
...Euskdn says of Turner, speaking of the painter's work in Switzerland, done between 1800 and 1810, " and observe, generally, Turner never, after this time,...lightest pencil sketch was the plan of a picture ; his complctest study on the spot, a part of one. But he rarely painted on the spot ; he looked, gathered,... | |
 | Stephen Albert Swaine - 1885 - عدد الصفحات: 156
...as Mr. Ruskin has pointed out. "Observe, generally," says he, " Turner never, after this time, 1800, drew from Nature without composing. His lightest pencil...picture, his completest study on the spot a part of one." He now begins to appear as the poet-painter. He dreams, and paints his dreams. Realism he begins to... | |
 | Stephen Albert Swaine - 1885 - عدد الصفحات: 144
...Ruskin has pointed; out. . "Observe, generally," says -he, "Turner never, . after this time, 1800, d.re.w from ; Nature without Composing. His lightest...completest study on the 'spot ;a:. part- of- one." He now begins to appear as the poet-painter. He dreams, and paints his dreams. Realism he begins to... | |
 | John Ruskin - 1902 - عدد الصفحات: 534
...p. 420.] SECOND GROUP. THE ROCK FOUNDATIONS, SWITZERLAND, 1800-1810. 7. LAKE OF THUN FROM NEUHAUS. The Niesen dark in centre ; the group of the Stockhorn...spot, a part of one. But he rarely painted on the spot ; — • he looked, gathered, considered ; — then painted the sum of what he had gained, up... | |
 | John Ruskin - 1904 - عدد الصفحات: 950
...of the vastness and rockframe of the earth's mass, which afterwards regulated his design, even down to a roadside bank. Six out of the nine drawings in...spot, a part of one. But he rarely painted on the spot ; — he looked, gathered, considered; — then painted the sum of what he had gained, up to the... | |
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To most men of the age (he was at this time fiveand-twenty) they are entirely delightful and exhilarating : to him they are an unbroken influence of gloomy majesty, making him thenceforth of entirely solemn heart in all his work, and giving him conceptions... 