The Art of Vergil: Image and Symbol in the AeneidUniversity of Michigan Press, 1962 - 216 من الصفحات In a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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الصفحة 45
... strength of his love , returned to his ships . At pius Aeneas , quamquam lenire dolentem Solando cupit et dictis avertere curas , Multa gemens magnoque animum labefactus amore , Iussa tamen divom exsequitur . Even more intensified , the ...
... strength of his love , returned to his ships . At pius Aeneas , quamquam lenire dolentem Solando cupit et dictis avertere curas , Multa gemens magnoque animum labefactus amore , Iussa tamen divom exsequitur . Even more intensified , the ...
الصفحة 101
... strength and the majestic action of battle . Indeed , both aspects are so thor- oughly merged that they can never be completely separated . As in Homer , the bloody deeds of war serve to expose the heroes ' power and splendor in images ...
... strength and the majestic action of battle . Indeed , both aspects are so thor- oughly merged that they can never be completely separated . As in Homer , the bloody deeds of war serve to expose the heroes ' power and splendor in images ...
الصفحة 123
... strength of a nature meant for good and ready to blossom upon contact with a higher idea . Per- haps , then , Herder , Hegel , Mommsen , and others more recent were not entirely right in interpreting the Romans ' unique historical ...
... strength of a nature meant for good and ready to blossom upon contact with a higher idea . Per- haps , then , Herder , Hegel , Mommsen , and others more recent were not entirely right in interpreting the Romans ' unique historical ...
المحتوى
THE PROBLEM | 1 |
BASIC THEMES | 13 |
THE PRINCIPAL FIGURES | 34 |
حقوق النشر | |
3 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Achilles Aeneas Aeneid Aeolus Allecto animi Antike Apollonius Apollonius Rhodius appears aristeia artistic Ascanius atque attitude basic battle beauty beginning Camilla Carthage Cato character climax connected contrast dark death decision demonic destiny Diana Dido Dido and Aeneas Dido's divine Ennius epic Eurotae expression fata fate feeling fight followed fortuna Georgics gesture glory goddess gods Goethe grandeur Greek grief guilt heart Hector Heinze hero hero's heroic hinc Homer human Iliad inner interpretation Iopas Italian Juno Juno's Jupiter Jupiter's Juturna Latinus light meaning Mezentius mood motif movement nature Odyssey Pallas passion Phegeus poet poet's poetic poetry quam queen Roman Rome Rutulians Sainte-Beuve scene sense sequence Servius simile sixth book sorrow soul speech Stoic sublime suffering symbol temple tion tragedy tragic Trojan Troy true Turnus Venus Vergil Vergil's art Vergilian verses waves whole poem words