Germany, المجلد 2Derby & Jackson, 1859 |
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الصفحة 12
... respect , in his plays , to strict virtue and positive religion ; he has indulged himself in this error , not from adhe- rence to system , as I conceive , but merely to produce , occa- sionally , a more powerful effect on the stage . It ...
... respect , in his plays , to strict virtue and positive religion ; he has indulged himself in this error , not from adhe- rence to system , as I conceive , but merely to produce , occa- sionally , a more powerful effect on the stage . It ...
الصفحة 14
... respects the event is the same , and its progress is only marked by the in- crease of horror . There is nothing more sublime in Dante than the picture of this unhappy father , who has seen his three sons perish by his side , and who ...
... respects the event is the same , and its progress is only marked by the in- crease of horror . There is nothing more sublime in Dante than the picture of this unhappy father , who has seen his three sons perish by his side , and who ...
الصفحة 24
... respect of comedy , but popular buffoonery , and pieces in which the marvellous fur- nishes matter for pleasantry . An example of this may be cited in an opera which is per- formed on all the stages from one end of Germany to the other ...
... respect of comedy , but popular buffoonery , and pieces in which the marvellous fur- nishes matter for pleasantry . An example of this may be cited in an opera which is per- formed on all the stages from one end of Germany to the other ...
الصفحة 25
... respect , on the example of Aristophanes , not assuredly because they ap- prove the licentiousness of his pieces , but they are struck with the vein of gayety which they exhibit , and they would willingly introduce among the moderns ...
... respect , on the example of Aristophanes , not assuredly because they ap- prove the licentiousness of his pieces , but they are struck with the vein of gayety which they exhibit , and they would willingly introduce among the moderns ...
الصفحة 32
... respect ; but at Vienna , they neglect even the necessary means for the good representation of the material parts of tragedy . Memory is infinitely more cultivated by the French than by the German actors . The prompter at Vienna used to ...
... respect ; but at Vienna , they neglect even the necessary means for the good representation of the material parts of tragedy . Memory is infinitely more cultivated by the French than by the German actors . The prompter at Vienna used to ...
المحتوى
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abstract action admirable affections ancient appears beautiful believe called century character Christianity Condillac conscience considered death Descartes divine doctrine duty endeavor enthusiasm evil excited existence expression external objects faculties feeling Fichte France Freemasonry French genius German German literature give Goethe happiness heart heaven Hegel Hegelian Herder human mind ideas Illuminati imagination impression influence inspired interest Jean Paul Kant knowledge language laws learned Leibnitz less liberty literature lively Louis XIV Madame de Staël Malebranche manner ment metaphysics moral Müller mysticism nation nature nevertheless noble Novalis opinions ourselves passions philosophy physical Plato pleasure poetical poetry poets political pre-established harmony principle Protestantism reason religion religious rendered respect Schlegel sensations sensibility sentiment sort soul spirit sublime talent Talma taste theory thing thought tion true truth Tübingen understanding universe virtue Werther whole words writings