The Lyre and the Oaten Flute: Garcilaso and the Pastoral

Albanio amorous appears Arcadia artistic become beginning beloved bucolic called Catullus century classical closely context continues contrast course criticism death dedication earlier elegy epic example expression fact feeling final Garcilaso gives hand hendecasyllables idylls images imitated important Italian Italy lament land landscape language later Latin legend less limited lines literary loss lover lyric means mode motif myth mythological narrative nature Nemoroso never nymphs octave Origine passion pastoral pattern perhaps Petrarch Petrarchan pieces poems poet poetic poetry positive present probably Propertius relation remained Renaissance river Salicio Sannazaro second eclogue seems shepherds sing song sonnet Spanish stanza story structure style takes Theocritus third eclogue tradition turn University verse Virgil Virgil's Eclogue Virgilian whole woman writing