CHAPTER X.

THE CAMPAIGN IN FRANCE.

We now return to the narrative, some points of which have been anticipated in the preceding chapter. In 1790 Goethe undertook the government of all the Institutions for Science and Art, and busied himself with the arrangement of the Museums and Botanical Gardens at Jena. In March of the same year he went once more to Italy to meet the Duchess Amalia and Herder in Venice. There he tried in Science to find refuge from troubled thoughts. Italy on a second visit seemed, however, quite another place to him. He began to suspect there had been considerable illusion in the charm of his first visit. The "Venetian Epigrams," if compared with the "Roman Elegies," will indicate the difference of his mood. The yearning regret, the fulness of delight, the newness of wonder which give their accents to the Elegies, are replaced by sarcasms and the bitterness of disappointment. It is true that many of these epigrams were written subsequently, as their contents prove, but the mass of them are products of the Venetian visit. Something of this dissatisfaction must be attributed to his position. was ill at ease with the world. The troubles of the time, and the troubles of his own domestic affairs, aggravated the dangers which then threatened his aims of self-culture, and increased his difficulty in finding that path in Science and Art whereon the culture of the world might be pursued.

He

In June he returned to Weimar. In July the duke sent for him at the Prussian Camp in Silesia, "where, instead of stones and flowers, he would see the field sown with troops." He went unwillingly, but compensated himself by active researches into "stones and flowers," leaving to the duke and others such interest as was to be found in soldiers. He lived like a hermit in the camp, and began to write an essay on the development of animals, and a comic opera.

In August they returned. The Duchess Amalia and Herder, impatient at "such waste of time over old bones," plagued him into relinquishing osteology, and urged him to complete "Wilhelm Meister." He did not, however, proceed far with it. The creative impulse was past; and to disprove Newton was a more imperious desire. In 1791, which was a year of quiet study and domestic happiness for him, the Court Theatre was established. He undertook the direction with delight. In a future chapter we shall follow his efforts to create a national stage, and by bringing them before the eye in one continuous series save the tedious repetition of isolated details. In July the Duchess Amalia founded her Friday Evenings. At her palace, between the hours of five and eight, the duke, the Duchess Luise, Goethe and his circle, with a few favoured friends from the court, assembled to hear some one of the members read a composition of his own. No sort of etiquette was maintained. Each member, on entering, sat down where he pleased. Only for the Reader was a distinct place allotted. One night Goethe read them the genealogy of Cagliostro, which he had brought from Italy; another night he gave them a lecture on Colours; Herder lectured on Immortality; Bertuch on Chinese Colours and English Gardens; Böttiger on the Vases of the Ancients; Hufeland on his favourite theme of Longevity; and Bode read fragments of his translation of Montaigne. When the reading was over, they all

approached a large table in the middle of the room, on which lay some engravings or some novelty of interest, and friendly discussion began. The absence of etiquette made these reunions delightful.

The mention of Cagliostro in the preceding paragraph recalls Goethe's comedy, " Der Gross-Kophta," in which he dramatised the story of the Diamond Necklace. It had originally been arranged as an opera; Reichardt was to have composed the music; and if the reader happens to have waded through this dull comedy, he will regret that it was not made an opera, or anything else except what it is. One is really distressed to find such productions among the writings of so great a genius, and exasperated to find critics lavish in their praise of a work which their supersubtle ingenuity cannot rescue from universal neglect. I will not occupy space with an analysis of it.

And now he was to be torn from his quiet studies to follow the fortunes of an unquiet camp. The King of Prussia and the Duke of Brunswick at the head of a large army invaded France, to restore Louis XVI. to his throne, and save legitimacy from the sacrilegious hands of Sansculottism. France, it was said, groaned under the tyranny of factions, and yearned for deliverance. The emigrants made it clear as day that the allies would be welcomed by the whole nation; and the German rulers willingly lent their arms to the support of legitimacy. Karl August, passionately fond of the army, received the command of a Prussian regiment. And Goethe, passionately fond of Karl August, followed him into the field. But he followed the duke,

he had no sympathy with the cause. Indeed, he had no strong feeling either way. Legitimacy was no passion with him; still less was Republicanism. Without interest in passing politics, profoundly convinced that all salvation could only come through inward culture, and dreading disturbances mainly because they

rendered culture impossible, he was emphatically the "Child of Peace," and could at no period of his life be brought to sympathise with great struggles. He disliked the Revolution as he disliked the Reformation, because they both thwarted the peaceful progress of develop

ment:

"Franzthum drängt in diesen verworrenen Tagen wie ehmals Lutherthum es gethan, ruhige Bildung zurück."

That philosophers and patriots should thunder against such a doctrine, refute its arguments, and proclaim its dangers, is reasonable enough; but how strangely unreasonable in philosophers and patriots to thunder against Goethe, because he, holding this doctrine, wrote and acted in its spirit! We do not need this example to teach us how men transfer their hatred of opinions to the holders of the hated opinions, otherwise we might wonder at the insensate howl which has been raised against the greatest glory of the German name, because he did not share the opinions of the howlers; opinions, too, which they for the most part would not have held, had they not been instructed by the events which have since given approbation to what then seemed madness.

It was not in Goethe's nature to be much moved by events, to be deeply interested in the passing troubles of external life. A meditative mind like his naturally sought in the eternal principles of Nature the stimulus and the food, which other minds sought in passing events of the day. A poet and a philosopher is bound to be interested in the great questions of poetry and philosophy; but to rail at him for not also taking part in politics, is as irrational as to rail at a Prime Minister because he cares not two pins for Greek Art, and has no views on the transmutation of species. It is said, and very foolishly said, that Goethe turned from politics to art and science because politics disturbed him,

and because he was too selfish to interest himself in the affairs of others. But this accusation is on a par with those ungenerous accusations which declare heterodoxy to be the shield of profligacy: as if doubts proceeded only from dissolute habits. How unselfish Goethe was, those best know who know him best; it would be well if we could say so much of many who devote themselves to patriotic schemes. Patriotism may be quite as selfish as Science or Art, even when it is a devout conviction; nor is it likely to be less selfish when, as so often happens, patriotism is only an uneasy pauperism.

That Goethe sincerely desired the good of mankind, and that he laboured for it in his way with a perseverance few have equalled, is surely enough to absolve him from the charge of selfishness because his labours did not take the special direction of politics. What his opinions were is one thing, another thing his conduct. Jean Paul says, He was more far-sighted than the rest of the world, for in the beginning of the French Revolution he despised the patriots as much as he did at the end." I do not detect any feeling so deep as contempt, either late or early; but it is certain that while Klopstock and others were madly enthusiastic at the opening of this terrible drama, they were as madly fanatical against it before its close; whereas Goethe seems to have held pretty much the same opinion throughout.

There were three principles promulgated by the Republicans, which to him were profound absurdities. The first was the doctrine of equality; not simply of equality in the eye of the law (that he accepted), but of absolute equality. His study of Nature, no less than his study of men, led him, as it could not but lead him, to the conviction that each Individual is perfect in itself, and in so far equals the highest; but that no one Individual is exactly like another.