ous craving for excitement felt by the Teutonic races, something so unlike the morbid love of intellectual drams, the fierce alcohol of emotion with which many intoxicate themselves, that it is no wonder if Goethe has on this account been accused of insensibility. Yet, in truth, a very superficial knowledge of his nature suffices to show that it was not from coldness he avoided indulgence in the "luxury of woe." It was excess of sensibility, not want of sympathy. His delicate nature shrank from the wear and tear of needless excitement; for that which to coarser natures would have been a stimulus, was to him a disturbance. It is doubtless the instinct of an emotional nature to seek such stimulants; but his reason was strong enough to keep this instinct under control. Falk relates that when Goethe heard he had looked upon Wieland in death, "and thereby procured myself a miserable evening, and worse night, he vehemently reproved me for it. Why, said he, should I suffer the delightful impression of the features of my friend to be obliterated by the sight of a disfigured mask? I carefully avoided seeing Schiller, Herder, or the Duchess Amalia, in the coffin. I, for my part, desire to retain in my memory a picture of my departed friends more full of soul than the mere mask can furnish me."

This subjection of the instinct of curiosity to the dictates of reason is not coldness. There is danger indeed of carrying it too far, and of coddling the mind; but into this extreme neither Goethe nor his mother can be said to have fallen. At any rate, let the reader pronounce what judgment he thinks fit, it is right that he should at the outset distinctly understand it to be a characteristic of the man. The self-mastery it implies forms the keystone of his character. In him emotion was not suppressed, but subjected to the intellect. He was "king over himself." He, as he tells us, found

men "

eager enough to lord it over others, while indifferent whether they could rule themselves"

"Das wollen alle Herren seyn,

Und keiner ist Herr von sich!"

He made it his study to subdue into harmonious unity the rebellious impulses which incessantly threatened the supremacy of reason. Here, on the threshold of his career, let attention be called to this cardinal characteristic; his footsteps were not guided by a light tremulous in every gust, liable to fall to the ground amid the hurrying agitation of vulgar instincts, but a torch grasped by an iron will, and lifted high above the currents of those lower gusts, shedding a continuous steady gleam across the troubled path. I do not say he never stumbled. At times the clamorous agitation of rebellious passions misled him as it misleads others; for he was very human, often erring; but viewing his life as it disposes itself into the broad masses necessary for a characteristic appreciation, I say that in him, more than in almost any other man of his time, naked vigour of resolution, moving in alliance with steady clearness of intellect, produced a selfmastery of the very highest kind.1

This he owed partly to his father and partly to his mother. It was from the latter he derived those characteristics which determined the movement and orbit of his artistic nature: her joyous, healthy temperament, humour, fancy, and susceptibility, were, in him, creative, owing to the marvellous insight which gathered up the scattered and vanishing elements of experience into new and living combinations.

1" All I have had to do I have done in kingly fashion," he said: "I let tongues wag as they pleased. What I saw to be the right thing that I did."

CHAPTER II.

THE PRECOCIOUS CHILD.

JOHANN WOLFGANG GOETHE was born on the 28th August, 1749, as the clock sounded the hour of noon, in the busy town of Frankfort-on-the-Main. The busy town, as may be supposed, was quite heedless of what was then passing in the corner of that low, heavybeamed room in the Grosse Hirsch-Graben, where an infant, black, and almost lifeless, was watched with. agonising anxiety- an anxiety dissolving into tears of joy, as the aged grandmother exclaimed to the pale mother: "Räthin, er lebt! - he lives!" he lives!" But if the town was heedless, not so were the stars, if astrologers are to be trusted; the stars knew who was gasping for life beside his trembling mother, and in solemn convocation they prefigured his future greatness. Goethe, with a grave smile, notes this conjunction of the stars.

Whatever the stars may have betokened, this August, 1749, was a momentous month to Germany, if only because it gave birth to the man whose influence on his nation has been greater than that of any man since Luther, not even excepting Lessing. A momentous month in very momentous times. It was the middle of the eighteenth century: a period when the movement which had culminated in Luther was passing from religion to politics, and freedom of thought was translating itself into liberty of action. From theology the movement had communicated itself to philosophy, morals, and politics. The agitation was still mainly in the higher classes, but it was gradually descending to

the lower. A period of deep unrest: big with events which would expand the conceptions of all men, and bewilder some of the wisest.

It is not the biographer's province to write a history of an epoch while telling the story of a life; but some historical indication is necessary, in order that the time and place should be vividly before the reader's mind; and perhaps the readiest way to call up such a picture in a paragraph will be to mention some of the "notables" of that period, and at what points in their career they had arrived. In that very month of August Madame du Chatelet, the learned translator of Newton, the loving but hot-tempered " Uranie" of Voltaire, died in childbed, leaving him without a companion, and without a counsellor to prevent his going to the court of Frederick the Great. In that year Rousseau was seen in the brilliant circle of Madame d'Epinay, disputing with the Encyclopedists, declaiming eloquently on the sacredness of maternity, and going home to cast his newborn infant into the basket of the Foundling Hospital. In that year Samuel Johnson was toiling manfully over his English dictionary; Gibbon was at Westminster, trying with unsuccessful diligence to master the Greek and Latin rudiments; Goldsmith was delighting the Tony Lumpkins of his district, and the

wandering bear-leaders of genteeler sort," with his talents, while enjoying that "careless idleness of fireside and easy chair," and that "tavern excitement of the game of cards, to which he looked back so wistfully from his first hard London struggles." In that year Buffon, whose scientific greatness Goethe was one of the first to perceive, produced the first volume of his "Histoire Naturelle." Haller was at Göttingen performing those experiments on sensibility and irritability which were to immortalise him. John Hunter, who had recently left Scotland, joined Cheselden at the Chelsea Hospital. Mirabeau and Alfieri

were tyrants in their nurseries; and Marat was an innocent boy of five years old, toddling about in the Val de Travers, unmolested as yet by the wickedness of les aristocrats."

If these names have helped to call up the period, we must seek in Goethe's own pages for a picture of the place. He has painted the city of Frankfort as one who loved it. No city in Germany was better fitted for the birthplace of this cosmopolitan poet. It was rich in speaking memorials of the past, remnants of old German life, lingering echoes of the voices which sounded through the middle ages: such as a town within a town, the fortress within a fortress, the walled cloisters, the various symbolical ceremonies still preserved from feudal times, and the Jews' quarter, so picturesque, so filthy, and so strikingly significant. But if Frankfort was thus representative of the past, it was equally representative of the present. The travellers brought there by the Rhine-stream, and by the great northern roads, made it a representative of Europe, and an emporium of Commerce. It was thus a centre. for that distinctively modern idea Industrialism— which began, and must complete, the destruction of Feudalism. This twofold character Frankfort retains to the present day (1853): the storks, perched upon its ancient gables, look down upon the varied bustle of Fairs held by modern Commerce in the ancient streets.

The feeling for antiquity, and especially for old German life, which his native city would thus picturesquely cultivate, was rivalled by a feeling for Italy and its splendours, which was cultivated under the paternal roof. His father had retained an inextinguishable delight in all that reminded him of Italy. His walls were hung with architectural drawings and views of Rome; so that the poet was thus familiar from infancy with the Piazza del Popolo, St. Peter's, the Coliseum, and other centres of grand associations.