terly frantic, and run amuck against them all. How could a man, so falsely placed, by his own or others' fault, ever know contentment or peaceable diligence for an hour? What he did, under such perverse guidance, and what he forbore to do, alike fill us with astonishment at the natural strength and worth of his character.

Doubtless there was a remedy for this perverseness; but not in others; only in himself; least of all in simple increase of wealth and worldly 'respectability. We hope we have now heard enough about the efficacy of wealth for poetry, and to make poets happy. Nay, have we not seen another instance of it in these very days? Byron, a man of an endowment considerably less ethereal than that of Burns, is born in the rank not of a Scottish ploughman, but of an English peer: the highest worldly honours, the fairest worldly career, are his by inheritance; the richest harvest of fame. he soon reaps, in another province, by his own hand. And what does all this avail him? Is he happy, is he good, is he true? Alas, he has a poet's soul, and strives towards the Infinite and the Eternal; and soon feels that all this is but mounting to the house-top to reach the stars! Like Burns, he is only a proud man; might, like him, have 'purchased a pocket-copy of Milton to study the character of Satan;' for Satan also is Byron's grand exemplar, the hero of his poetry, and the model apparently of his conduct. As in Burns's case too, the celestial element will not mingle with the clay of earth; both poet and man of the world he must not be; vulgar Ambition will not live kindly with poetic Adoration; he cannot serve God and Mammon. Byron, like Burns, is not happy; nay, he is the most wretched of all men. His life is falsely arranged the fire that is in him is not a strong, still, central fire, warming into beauty the products of a world; but it is the mad fire of a volcano ; and now, we look sadly into the ashes of a crater, which erelong will fill itself with snow!

Byron and Burns were sent forth as missionaries to their

generation, to teach it a higher Doctrine, a purer Truth; they had a message to deliver, which left them no rest till it was accomplished; in dim throes of pain, this divine behest lay smouldering within them; for they knew not what it meant, and felt it only in mysterious anticipation, and they had to die without articulately uttering it. They are in the camp of the Unconverted; yet not as high messengers of rigorous though benignant truth, but as soft flattering singers, and in pleasant fellowship, will they live there: they are first adulated, then persecuted; they accomplish little for others; they find no peace for themselves, but only death and the peace of the grave. We confess, it is not without a certain mournful awe that we view the fate of these noble souls, so richly gifted, yet ruined to so little purpose with all their gifts. It seems to us there is a stern moral taught in this piece of history, twice told us in our own time! Surely to men of like genius, if there be any such, it carries with it a lesson of deep impressive significance. Surely it would become such a man, furnished for the highest of all enterprises, that of being the Poet of his Age, to consider well what it is that he attempts, and in what spirit he attempts it. For the words of Milton are true in all times, and were never truer than in this: 'He, who would write heroic poems, must make his whole life a heroic poem.' If he cannot first so make his life, then let him hasten from this arena; for neither its lofty glories, nor its fearful perils, are fit for him. Let him dwindle into a modish ballad-monger; let him worship and besing the idols of the time, and the time will not fail to reward him. If, indeed, he can endure to live in that capacity! Byron and Burns could not live as idol-priests, but the fire of their own hearts consumed them; and better it was for them that they could not. For it is not in the favour of the great or of the small, but in a life of truth, and in the inexpugnable citadel of his own soul, that a Byron's or a Burns's strength must lie. Let the great stand aloof from him, or know how to reverence him. Beautiful

is the union of wealth with favour and furtherance for literature; like the costliest flower-jar enclosing the loveliest amaranth. Yet let not the relation be mistaken. A true poet is not one whom they can hire by money or flattery to be a minister of their pleasures, their writer of occasional verses, their purveyor of table-wit; he cannot be their menial, he cannot even be their partisan. At the peril of both parties, let no such union be attempted! Will a Courser of the Sun work softly in the harness of a Drayhorse? His hoofs are of fire, and his path is through the heavens, bringing light to all lands; will he lumber on mud highways, dragging ale for earthly appetites from door to -door?

But we must stop short in these considerations, which would lead us to boundless lengths. We had something to say on the public moral character of Burns; but this also we must forbear. We are far from regarding him as guilty before the world, as guiltier than the average; nay from doubting that he is less guilty than one of ten thousand. Tried at a tribunal far more rigid than that where the Plebiscita of common civic reputations are pronounced, he has seemed to us even there less worthy of blame than of pity and wonder. But the world is habitually unjust in its judgments of such men; unjust on many grounds, of which this one may be stated as the substance: It decides, like a court of law, by dead statutes; and not positively but negatively, less on what is done right, than on what is or is not done wrong. Not the few inches of deflection from the mathematical orbit, which are so easily measured, but the ratio of these to the whole diameter, constitutes the real aberration. This orbit may be a planet's, its diameter the breadth of the solar system; or it may be a city hippodrome; nay the circle of a ginhorse, its diameter à score of feet or paces. But the inches of deflection only are measured and it is assumed that the diameter of the ginhorse, and that of the planet, will yield the same ratio when compared with them!

Here lies the root of many a blind, cruel condemnation of Burnses, Swifts, Rousseaus, which one never listens to with approval. Granted, the ship comes into harbour with shrouds and tackle damaged; the pilot is blameworthy; he has not been all-wise and all-powerful: but to know how blameworthy, tell us first whether his voyage has been round the Globe, or only to Ramsgate and the Isle of Dogs.

With our readers in general, with men of right feeling anywhere, we are not required to plead for Burns. In pitying admiration he lies enshrined in all our hearts, in a far nobler mausoleum than that one of marble; neither will his Works, even as they are, pass away from the memory of men. While the Shakspeares and Miltons roll on like mighty rivers through the country of Thought, bearing fleets of traffickers and assiduous pearl-fishers on their waves; this little Valclusa Fountain will also arrest our eye: for this also is of Nature's own and most cunning workmanship, bursts from the depths of the earth, with a full gushing current, into the. light of day; and often will the traveller turn aside to drink of its clear waters, and muse among its rocks and pines!

THE LIFE OF HEYNE.1

[1828.]

THE labours and merits of Heyne being better known, and more justly appreciated in England, than those of almost any other German, whether scholar, poet or philosopher, we cannot but believe that some notice of his life may be acceptable to most readers. Accordingly, we here mean to give a short abstract of this Volume, a miniature copy of the 'biographical portrait;' but must first say a few words on the portrait itself, and the limner by whom it was drawn.

Professor Heeren is a man of learning, and known far out of his own Hanoverian circle, indeed, more or less to all students of history, by his researches on Ancient Commerce, a voluminous account of which from his hand enjoys considerable reputation. He is evidently a man of sense and natural talent, as well as learning; and his gifts seem to lie round him in quiet arrangement, and very much at his own command. Nevertheless, we cannot admire him as a writer; we do not even reckon that such endowments as he has are adequately represented in his books. His style both of diction and thought is thin, cold, formal, without force or character, and painfully reminds us of college lectures. He can work rapidly, but with no freedom, and, as it were, only in one attitude, and at one sort of labour. Not that we particu

1 FOREIGN REVIEW, No. 4. Christian Gottlob Heyne biographisch dargestellt von Arnold Hermann Ludwig Heeren. (Christian Gottlob Heyne biographically portrayed by Arnold Hermann Ludwig Heeren.) Göttingen.